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Joined: 23/6/2006
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Director/Screenwriter: Luc Besson Starring: Louise Bourgoin, Mathieu Amalric, Gilles Lellouche, Jacky Nercessian Synopsis Set in the early 20th Century, novelist Adele Blanc-Sec (Bourgoin) has in her possession a mummy which she wants to resurrect in order to save her dying sister. Meanwhile, a pterodactyl is on the loose in Paris and only Madame Blanc-Sec can save the day. Review It has been said for many years that Luc Leon Besson was going to stop directing and just produce a series of actioners like the Transporter trilogy and Taken. With the exception of his recent CGI animated series, Besson returns to direct live-action with his adaptation of a supposedly well-known graphic novel series from France. As someone who hasn’t read any of Jacques Tardi’s comics, I approached this as a fan of Besson’s earlier work so I went in with high expectations, particularly with the quote on the film’s poster: “Amelie meets Indiana Jones”. Although the eponymous heroine is not in par with those two iconic characters, Madame Blanc-Sec is a wonderful watch. Like Amelie, it has a quirky sense of humour that only we can identify as French as there are moments of slapstick and occasionally cheeky-cheeky. If you are a massive fan of Jeunet’s film (like me), the opening sequence is literally a series of intertwining shorts which set up the story and tone of Besson’s film. For a film thats less than two hours, there is an awful lot going on as it’s not just a pterodactyl and mummies, but Adele Blanc-Sec has difficulty with would-be suitors, police and other distractors. One can say that all these elements don’t add to very much, and yet the film does have a heart which is the protagonist’s emotional journey to save her sister, thus the film becomes strangely moving. Despite the bagginess of it all, director Besson keeps everything sharply paced and never boring for a family-friendly audience, despite the inclusion of a gratuitous bath scene. Primarily set in 1910s Paris, the design is beautifully done and feels epic and reminds you that Besson was once a great visualist during his early work. As for the Indiana Jones aspect, the film isn’t as action-packed as expected, but hopefully you won’t fall asleep. Surrounded by people that look a lot like characters from Tintin, former TV presenter Louise Bourgoin is not only astonishingly beautiful, but she is easily the best thing of the whole film. Many of the funniest scenes are by her sharp-witted performance, as she isn’t some damsel in distress, but her strong feminine persona shines throughout. Verdict Whilst we wait for Spielberg’s take on Tintin, Besson’s Adele Blanc-Sec may be all over the place, but it is terrifically entertaining with its sense of humour and the charismatic performance and beauty by Louise Bourgoin.
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