jobloffski
Posts: 1846
Joined: 30/9/2005 From: elsewhere
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The best metaphorical post ironic parable for female enslavement/emancipation as a personal choice, not something in the hands of 'the system' ever directed by a game influenced pervert. Kind of taking the mickey there, but I actually really enjoyed this, much more than I thought I would, given the trashing it has received. The Empire review relates the red curtain opening to Moulin Rouge, but I'd go somewhere else for the comparison, Club Silencio in Mulholland Drive, where what is real and what is fantasy imagined to escape a reality a character wont/cant face meet. Of course the ending is a downer, the film is called Sucker Punch. The ending is a sucker punch. Freedom is something you imagine you have and you act accordingly if you believe you are free, or if you believe you are oppressed. And in harsh situations, or even mundane ones, a fantasy of being able to cut down all in your path and get to where you're going can be good, sometimes necessary escapism. But I feel there is enough in the film to allow a happier ending than it seems on the surface (and who knows, given the film is all about what's underneath conscious reality, maybe Snyder is smart enough to give a surface sucker punch to the viewer and invite a personal interpreatation of why he would do that). Notable thematic and visual touchstones are Brazil, The Battle For Helm's Deep,Kill Bill, and Charlies Angels and the overall message, you already have the weapons you need to gain your freedom, now fight, is pretty basic, but if you've ever needed something that basic to keep you on track and not crumble, that's enough. Anyway, the film actually tells you, it's never Baby Doll's Story, it's Sweet Peas, and if you take everything as a representation of Sweet Peas state of mind, then all the other girls are her 'angels' and 'demons'and the stuff happening to Baby Doll is the side of Sweet Pea that can handle that. The other girls are her self betrayal, her naivety, and her fear of getting hurt. And the bus driver, though he is Scott Glen, my take on that is that's her perception of him, and like the opening narration implies, the help you need will be there when you need it, you just don;t know what form these angels (or even the demons that sohw you your errors) are going to take. The cops represent the system trying to keep her in her place, the bus driver the kindly stranger willing to help, selflessly. Sweet Pea is Free. Or something
< Message edited by jobloffski -- 9/8/2011 10:35:10 AM >
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Yes, dreamers dream and doers do. But if dreamers DON'T dream, doers don't have anything TO do. Everything that is only here because people exist, only exists because someone thought of it., or in other words, dreamed it.
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