demoncleaner
Posts: 2166
Joined: 3/10/2005 From: Belfast
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I'm watching it practically a week behind, so saw last week's last night. I still really, really, like it, but there's some stuff that completely patronises the First World War (I won't even talk about the Easter Rising ). But...at the same time, it does lovely stuff that makes up for it. There's a conflict behind wanky stuff about the war and really nice, affirmative stuff about the war. For instance, I loved the thing about the unofficial soup kitchen in Isabelle and Matthew's house. It was brilliantly set up with the unwanted idleness of Moseley and the cook (and I hope she's in it more, she was brilliant last year). I think Mrs Padmore and Daisy discovering it was great, but I fucking thought the absolute "lovely" magnaniminity of Cora stole their fucking thunder a bit. That moment seemed to steal the loveliness of the idea in terms of being all about how effing great she is (maybe in recompense for sending Isabelle away?) But...that moment was also good because that sour-faced touting bitch (forget her name) had to dig in as well...so that was good. The stuff that has been pissing me off about series 2 is the way it crow-bars Matthew's returns to Dowtown, all the fucking time. I mean, the message it sends is that Ypres and fuck-knows-where-else was a time-share fucking destination. Don't get me wrong, I like Matthew, and it's good to see him, but its surely awfully patronising to have him spend his time in the trenches frequently, and solely mentioning the leave he has coming up to go back home. To a fucking palace!!!! This is not reconcling the class divide. Matthew is not a cunt, but in those moments...he kind of is. But there is so much I really like about series 2. I think the hate her/like her ambivalene of hatchet-faced-bitch-from Benidorm (I forget her character's name) is brilliant, and piquant, and percolating (I thought after her empathy with Mr. Lang she was going to help the soup-kitchen when she saw it)..I think that's brilliant. You never know which way she's going to jump and that's class. And it's class that Thomas is reacting to that. (That prick looks kinda cool in the uniform, attitude and Darth Vader glove by the way ). I was a little unsure from the first episode about Bates' battered house-wife routine. I think Julian Fellowes uses poor Bates as his punch bag...and we've been over this again and a fucking gain, and with those two plotting behind their backs we'll be in the exact same place time again and again!!! But... that's not to say that the scenes of reconciliciation between Bates and Lord Grantham aren't great...because they are. But... it's just like the repetition of emotional poignancy points is becoming obvious, and thereby making this a bit of a "soap opera with money thrown at it" and patronising the First World War while it's at it. I don't know. I'm still loving it, but the jury's out whether it should be loved legitmately... or as a guilty pleasure?
< Message edited by demoncleaner -- 16/10/2011 4:13:22 PM >
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"I know the meaning of life, it doesn't help me a bit."
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