pete_traynor
Posts: 2935
Joined: 28/11/2006 From: Balboa Towers, Balboa Island, CA
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For me, without doubt, one of the stand out films of the last 10 years! I’m enamoured by every second of it and having found nothing by searching it, I decided to start a threat in celebration of it. One of the most important and uncomfortably hard hitting films I have seen in many years. Cauron’s direction on this has such confidence and nerve shredding momentum that I felt I had been to war by the time the lights went up. Yes, the car attack tracking shot is absolutely marvellous but it’s the Bexhill battle steady cam shot that stands as one of best I have ever seen. The planning, commitment and skill involved in pulling that off is nothing shot of staggering. The soldier’s reactions to Theo exiting with the baby is a genuinely gentle and touching moment after the utter carnage that precedes and follows it. The whole sequence is almost as devastating as the Omaha Beach landing in Saving Private Ryan. The film also employs and similar war torn, washed out colour scheme to Ryan as well. From the opening I knew this was to be an uncompromising ride! And as uncomfortable and worryingly close to actual events as it is, it is good to see directors use Britain for such dystopian and morose visual effect. It’s ‘nice’ to see it depicted so unsettling and grim, as it is in the likes of Children of Men and Eastern Promises for example, as apposed to the sickly sweet Curtis like Britain that shows up in films all too often. Anyway, I absolutely adore the film. And if you do too… get involved.
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