sharkboy
Posts: 6053
Joined: 26/9/2005 From: Belfast
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quote:
ORIGINAL: Funkyrae When we talk about the prehistoric art tend to create a certain illusion of equality between it and the art of the latest epochs up to modern times. It gets reviewed in a manner that you'd expect to see Constable or Dali being reviewed in. "Aesthetic norms and principles", "the message of the art", "reflection of life", "composition", "perception of the beautiful" etc, Art today is more specific. It has it's own field of culture with boundaries and specialisation. Those boundaries are absolutely and clearly noted by both the artist and the "user" of the art. When looking at primitive humankind's art, those boundaries simply were not there. In the primitive man's mentality art was not singled out into a special field of activity It was a very rare few that possessed the ability to create pictures (not much different from today really!). But the painters held a strata in society and, later, were linked with Shamans and Shamanic activity. The idea of leisure hours filled by different kinds of art is not correct either. There simply was no leisure time (as we understand it anyway - the time where they were not occupied with any activity). The point is, that the people who painted these cave paintings were working with extremely rough materials. They were given a status in the society that set them above others, the paintings and engravings were highly unlikely to be made by someone who wasn't important in some way. While I'll agree, we will look back at the ancient with a modern understanding, you have to acknowledge that these paintings weren't done to kill a few hours of boredom as there wasn't any. The pictures represented what was going on around them, their lives, their surroundings. As another point of interest, as you know, I do read hieroglyphics. There is no representation in hieroglyphics for what looks like a helicopter and two other kind of weird things that could be some kind of aircraft. They simply do not have that in their "alphabet". I'm not saying we should approach primitive art critique with the same rationale that we apply to more modern age art. What I'm saying is that, even taking into consideration the elevated position of these artists within their society, it is still possible to apply our own cultural imagery to them. "Helicopter" being a case in point. As you know, language has always been in a state of flux, and has always displayed many variations between regions (as it still does). It's impossible to know if "helicopter" could simply be the local vernacular for, say, "sarcophagus" (which to me it resembles). And for me, that's a much more rational explanation that saying that because it can be interpreted as bearing a resemblence to a human invention from a couple of millennia in the future, it must mean visitation from a more advanced civilisation. Also, lets face it, "Shamanic activity" normally involved ingesting a hefty dose of the local flora and "squeegieing your third eye" (as Bill Hicks put it). Now when I've been on halluceogenics, I've seen some crazy shit that had I been of an artistic bent, would have produced some strange imagery that would be hard to explain to anyone that hadn't seen it. Doesn't mean they existed outside my imagination.
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WWLD? Every time we think we have measured our capacity to meet a challenge, we look up and we're reminded that that capacity may well be limitless I left in love, in laughter, and in truth and wherever truth, love and laughter abide, I am there in spirit.
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