BelfastBoy
Posts: 452
Joined: 30/11/2005
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quote:
ORIGINAL: Groovy Mule Oh dear! This will go down as one of the stinkers of the summer blockbuster period. I found the first twenty minutes of this film truly excruiating. The dialogue between Cruise and Diaz is unbelievably clunky as it grinds along and I have to disagree and say that there is very little chemistry between the two of them. What follows is little better. All you need to know is this: there were at least 7 script doctors involved on this film. There are plot holes galore. Don't know how to end a scene, that's fine just drug one of the protagonists and show it from their point of view (i.e. asleep) and lo and behold, you can move half way around the way in one 2 minute sequences. This is lazy in the extreme. Did the filmmakers really think that they could fool an audience in that way? Hitchcock had a way of making the MacGuffins in his film secondary to the mood, interplay between the characters and tense plotting. However, if like the makers of Knight and Day you have none of the above, you really need to make your MacGuffin work for you. It doesn't. The laziness extends to the casting. The casting director clearly got the notes and went - FBI Agent who might be a bit dodgy - Peter Sarsgaard wore a suit and looked dodgy in An Education we'll get him Sassy female FBI agent - Viola Davis, again. Geeky boy genius with social problems - Paul Dano, again. There are some impressive moments of action, particularly in Salzburg and in Seville (although note to the producers - the running of the bulls takes place in Pamplona not Seville) but the whole thing falls flat. Not funny enough to be a comedy, not tense enough to be a Hitchcockian thriller and an example of studios rolling out the lowest common denominator and hoping for a return. All involved deserve to fail. PS - There is one other good thing. For the lack of chemistry between Cruise and Diaz, at one stage the proposed pairing for this film was Chris Tucker and Eva Mendes. Just think how much worse that would have been ... and breathe. Excellent review, Groovy Mule, and I agree with pretty much everything you said. It was my wife's turn to choose the film and she plumped for Knight and Day. (My choice would've been Inception, but hey...) Knight and Day is pretty much the only film I can think of where, to employ and extend a hoary old cliche, you can not only see the plot holes on screen, but the film literally flies planes through them! I fully accept that the film is intended to be lighthearted, knockabout entertainment but surely there should be some sort of internal logic at work? It is disgracefully lazy that a big-budget movie with A-list stars has a script that wouldn't even get praise at film school criticism or as a spec script passed around on an online message board. Sadly, the various points in the film where either Tom or Cameron are partially conscious would probably have been more interesting than some of the stuff that was actually in the film. How, for example, did Tom escape from upside-down captivity? We'll never know because the writer / army of script doctors couldn't be arsed to show us. There was also a surprising lack of charisma between Cruise and Diaz. This was especially disappointing when, if you look at something like their terrifically entertaining and bizarre appearance on Top Gear, they do appear to get on really well and had a great time working together. It just didn't come across on screen. Finally, impressive as the action scenes are (poor and obvious CGI aside), anyone spot the not-so-subtle Mercedes product placement everywhere? This has got to be the only film I can think of where the villains make extensive use of Smart cars!
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