homersimpson_esq
Posts: 19969
Joined: 30/9/2005 From: Springfield
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My sorta review. Albeit, a review that is spoiler-free. I'll do a deeper analysis when I see it again. How does one top one of the highest grossing films of all time, in a career that epitomises high-concept-high-quality? How does one, when given an obscene amount of money, craft a film that is not only ridiculously entertaining, but also jaw-droppingly visually stunning, and intrinsically intelligent as well? Christopher Nolan has the answer, and its name is Inception. It is both impossible and redundant to try and explain the story. (The nearest I can do is a literary analogy that casts the dreams as a thought in parentheses.) Instead it is better to focus on the surrounding ephemera of this dream-based, intelli-thriller. With a stellar cast (DiCaprio, Cotillard, Caine, Hardy, Berenger, Murphy, Gordon-Levitt) Nolan shows he has the necessary clout to make such assured large-scale films. And yet, despite the broad canvas, why is it that Inception still feels intimate, and personal? How can Nolan retain his own personal directorial stamp over a multi-million-dollar budget? It's almost as if Warner Bros, in a fit of delirium after checking the The Dark Knight box office takings once more, giggled like a schoolgirl and threw money at Nolan, saying, 'will you be my boyfriend?' before running back to her friends. A more cynical fellow might surmise that Hypothetical Batman Three is a better reason for giving carte blanche to Nolan. Either way, it matters very little: the end result is of such a ridiculously high quality, it feels unoriginal to rave about it. The structure of Inception means that you really, really need to concentrate. (No toilet breaks, for instance. Eleven years ago, when The Matrix was released, I made the mistake of not going to the toilet before hand. Half way through, I desperately needed to go, but didn't want to leave. Long story short, by the end of the film I was doubled in agony, and hobbled out, having missed most of the second half on account of checking my watch every two minutes. (I went back to see it again a week later, and lo, a neurosis was born.) Actually, The Matrix is a fine film against which to compare Inception. 'Game-changing' in its day, with the (now fairly defunct through spoofing) 'bullet time' a technological marvel. Using camera-work over CGI created a far superior visual effect. Similarly, Inception uses reality where possible, resorting to CGI where absolutely necessary. (And, it should be noted, to phenomenal effect.) Where Inception trumps The Matrix is that, as well as the melding of action-explosions and reality-bending mind games (they are both 'intelli-thrillers', in my word) Inception has a cast with considerably more clout. And, with this cast, Nolan is able to provide a far more indelible image of an imprinted world that he has created. He is the architect of this dream, and his subconscious are this amazing cast. (As an interesting side-comment, DiCaprio has, with Shutter Island and Inception, finally come of age. Before these two films, DiCaprio has struggled to look older than 25 and while this may be considered desirable by many, it has prevented DiCaprio from maturing as a believable character actor: a role he so clearly wants, above and beyond the movie-star good looks that got him his big break in Cameron's 1997 box-office bonanza, Titanic. Yet here, his face is weathered, and his eyes betray an age and wisdom that are both a long-time coming, and particularly apt for this particular film. His talents as an actor are great, but they have often been filtered through the baby-face movie-star image, and consequently he's perhaps not been taken seriously enough as an actor as he should have. After all, he was nominated for an Academy Award for a very early film, alongside Johnny Depp. (Interestingly enough, between Nolan, DiCaprio, and Depp, they are variously responsible for three of the four top-grossing films of all time.) Additionally, Joseph Gordon-Levitt, appearing in a Nolan film, will stoke the rumours that he might appear in Hypothetical Batman Three: a decision that this reviewer would heartily endorse.) Inception then, is a film that is very hard to discuss. One can talk around it, and talk through it, but, to paraphrase that afore-mentioned intelli-thriller, unfortunately no one can be told what Inception is. You have to see it for yourself. It is a film that is long, but which speeds by; that is action-packed, but which massages the little grey cells; that will take your perception, and invert them, twist them, and confuse them, unless you concentrate utterly. It's a film whose scenes are like parentheses within parentheses.) Like I say: you really, really need to concentrate.
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That deep-browed Homer ruled as his demesne. TREK WARS
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