chris kilby
Posts: 1189
Joined: 31/3/2010
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I've just read Kermode's book, The Good, The Bad and The Multiplex, and I don't agree with him about much. But he's right about this. He's right about the true horror that is the modern cinema-going experience generally. I've never been sold on 3D. It just looks like layers of 2D cutouts. Like Captain Pugwash or Ivor The Engine. The only 3D film I've seen which vindicated the process at all was Avatar (which was all about depth not poking you in the eye with stuff) because that's the way it was shot. Unlike all those dreadful post-convesion jobs. But even Avatar was dull and murky in places compared to the 2D version. I've watched Avatar many times since on BD (in glorious, 2D FlatoviosionTM!) and not once have I felt I was missing out at all. Quite the opposite - it looks better on BD than it ever did in the cinema. As a wee experiment, I've seen The Avengers twice now - once in 3D, once in 2D. And guess what? It looked much better in 2D. It wasn't distracting, it was neither smudgy in the foreground nor blurry in the background, and I could actually see what was going on during Hawkeye and the Black Widow's dust-up aboard the SHIELD helicarrier the second time around - three cheers for the glories of wall-eye, ghosting and unfusable images!. Grud only knows what Prometheus 3D will look like... We might be stuck with 3D for a while (the studios and cinema chains have invested a lot in it whether audiences want it or not) but it's still a gimmick. And one with a long tradition of dying on its arse once audiences tire of the novelty (and in this case, get fed up being ripped-off into the "bargain" - why do 3D tickets cost more anyway? And have you seen those "D-BOX" contraptions? Motion sickness is the future of cinema now, is it? If I wanted to throw-up at the movies I'd have gone to see Sex and The City 2!) But I won't be shelling out for any more 3D movies/headaches till Avatar 2 comes out. Maybe not even then. And if that's no longer an option I'll just stop going to the cinema. So if the big studios and cinema chains are trying to stop piracy/illegal downloads, they are going precisely the wrong way about it. Kermode's right about that as well - it's Napster all over again and if the studios are serious about stopping piracy then "multi-format day-and-date" releasing (ie, in cinemas, on disc, on pay-per-view and online at the same time) is the only way to go. Maybe then I'll be able to watch movies in the cinema in peace without having to endure the inane shite/texting of obnoxious fuckwits who'd rather be talking through the movie at home anyway. Result!
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