matty_b
Posts: 12889
Joined: 19/10/2005 From: Outpost 31 calling McMurtle.
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46) Ludivine Sagnier as Julie Bosload (Swimming Pool, Francois Ozon, 2003) Francois Ozon's puzzle-box of a film has Charlotte Rampling's writer, Sarah, relocate to her publisher's villa in France to get over a case of writer's block. Once there her rest is interupted by the arrival of Julie, his teenage daughter who proceeds to bring back a string of men every night and doesn't care who knows it. Of course, the twist at the end of the film is when, back in London, we meet the real Julie, leaving us to guess at the "other" Julie's real identity. An imposter? A literary creation of Sarah? A flashback to Sarah's younger days? Whatever the answer is, Sagnier's performance is key to upholding the mystery. If she plays the precocious and mysterious angle of Julie too much, we guess too early that something's not right about her. But then if she underplays it too much, we lose interest in her characters. Instead, Sagnier is excellent in a performance that is all cool, teenage exterior, who takes orders from nobody and has no care about how her sexual proclivites appear, but also suggests a deep, troubled interior. It's a performance of layers that are peeled away, one by one, as Sarah eventually develops a bond with Julie. Sagnier gets under the audience's skin, like she does Sarah's and with the Hitchcockian overtones of the film, one can only imagine he would nodded his solemn head in approval at how Ozon has used his screen blonde here. It's a sweaty, uncomfortable film, but Sagnier's cool performance, eventually spiralling outwards to panic as Swimming Pool becomes a thriller, is the centre of it all. Key moment - giving head to a random man in the swimming pool. It treads a fine line between arthouse smut and erotic thriller, but Sagnier's moment here is brave and memorable. Up next - a boss and a hard-assed one, at that - but only in two out of three.
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