Professor Moriarty
Posts: 8570
Joined: 6/10/2005 From: the waters of Casablanca
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# 10. Charles Vanel as Jo (Wages of Fear / Le salaire de la peur) Some of you might remember that Clouzot's Wages of Fear had an article written about it in Empire around 7 years ago, it was the first time I'd heard of Clouzot, and his reputation as a French Hitchcock and so I went out and bought said movie. I didn't quite get what I was expecting, it had been sold to me as the 1950's version of Die Hard, a real white knuckle ride. And its not, to describe the film as such is to do a horrendous misjustice to the director and to set up the viewer for disappointment. Instead Wages of Fear has this beautifully slow build up for an hour or so in the dusty heat of a far out South American small town, before the job of transporting nitroglycerine over bumpy roads is introduced. Not only does this lengthy introduction make for a better film, but it enables us to invest in the four main characters, and for me it is Vanel who is the standout. Jo is introduced to us as a big fish in a small town. He's comparatively rich, a man who is looked up to and can hold court, he's lived in the big world and in his white suit he stands out in the impoverished town, quickly becoming the go to man, a man who can snap his fingers and have the woman come running to him. A man who can look into a gun and not flinch. Then comes the ride and the glass is shattered, when put on this spot, almost out of control of his destiny, Jo falls to pieces. The scene in the oil-filled swamp close to film perfection, the whole performance a master-class of acting.
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