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Joined: 23/6/2006
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Director: Jean-Francois Richet Screenwriters: Abdel Raouf Dafri, Jean-Francois Richet Starring: Vincent Cassel, Ludivine Sagnier, Cécile De France, Gérard Depardieu, Roy Dupuis Synopsis Based on the true story of Jacques Mesrine (Cassel), a professional gangster in France before he was declared as Public Enemy Number One. Review A few weeks ago came the release of Michael Mann's Public Enemies, which was a fact-based thriller that depicted Great Depression-based bank robber John Dillinger as a Robin Hood-like hero to the public. Although Public Enemies is a somewhat return form for Mann, Depp's Dillinger was in no way the devil compare to how Vincent Cassel portrayed the infamous Jacques Mesrine. If the protagonist from Mann's film was Jesus Christ, then this film's leading man is the Antichrist. Based on the book by the late French criminal himself, this is the first half of an epic two-part biopic, which explores the life and workings of Mesrine, who had a complex life that dealt with family difficulties and the business that let out his dark side. As a one-man show that is dominated by a strong central performance, the supporting players do not have enough screentime to establish themselves, as well as missing out important scenes that should have been covered as it could have given Mesrine's journey more depth. After a slightly difficult first act, the rest of the film flows more easily as the story becomes more hard hitting and claustrophopic. The strongest aspect is the portrayal of our devilish hero, who can let out his violent side towards anybody that stands in his way. We do see a soft prospect of the man, but it is his charms and gun-blazing that keeps us gripped. Four years after his decent loose remake on Assault on Precinct 13, director Jean-Francois Richet has a strong sense of suspence and action as he doesn't like to sugar-coat the violence and knows how to make a car go boom. Despite the narrative problems, he gives a strong gangster flick that gives us anticipation for the conclusion of this two-parter. One of the many reasons I love French cinema is this film's leading man Vincent Cassel who is able show a sense of villianous in his roles, yet finds sympathy in them. This is exactly what he does in his portrayal of Mesrine. Dillinger may have been like Clint Eastwood, but Cassel makes his character like a Lee Van Cleef that steals the whole film. Up there with Cassel, is Gérard Depardieu as the Paris gang-lord Guido, whose overweight talent forms a brilliant chemistry with Cassel. There are also strong female performances, particularly from Cécile De France as Jeanne Schneider, the Bonnie to Mesrine's Clyde. She starts as a bad-ass chick into someone who completely breaks down after the neverending crime spree. Verdict While you will have to wait for my full judgement towards the entire film for part two to arrive, this is a fine warm-up for what is to come. Held together by a solid performance by Cassel, this is a strong first half of a real gangster epic.
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