Miles Messervy 007
Posts: 6870
Joined: 11/2/2009
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***spoilers*** "Just takes a few months to get to be a hundred..." Le salaire de la peur [The Wages of Fear] (1953, Clouzot) Masterful. The opening stretch may seem long, but by boring the viewer it actually accentuates how desperate the men are to get out, and make their dilemma plausible. The stuff that follows is amongst the best in suspense cinema, period. The lack of non-diegetic music is notable, the actors all play their roles remarkably well (well, except for maybe Clouzot's wife, but even she's not bad, and it's mostly the character that's at fault [and again, it could be argued that because even the prettiest women are fucking annoying Mario has an additional incentive to get out]), but most importantly, the editing is tense and sparse and the direction never falters. The exchanges inside cars are also memorable despite the emphasis on action ("I've died 50 times since last night"). An important note is that I knew all of the plot beforehand, including the stunning ending, but as Hitchcock would surely tell us, the knowledge of the bomb under the table actually increases the suspense, and I was so immersed into the film I had no idea what was going to happen. EXTREME SPOILERS When Luigi and the other guy blew up, I actually gasped. I guess the message of the film is that fear is something you have to keep under the control in both directions, which is not very deep. The anti-capitalist undertones are likewise ambiguous, as we see that the men are almost willing to kill in order to get the job (though the American's behaviour is certainly a critique of capitalism from the film-makers). BTW, best use of Danube ever, take that, 2001 (couldn't resist). Outstanding. 9
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quote:
jamesbondguy: Miles is clearly the finest film theorist of his generation quote:
Deviation: if it isn't ham, I'll eat a living pig.
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