movie_man2006
Posts: 3
Joined: 22/10/2008
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The best movie of 2008 didn't feature psycopaths with makeup or men dressed up as bats. It didn't feature cute robots, nor did it involve washed-up fighters trying to make up for his mistakes. Although these movies came in close, they were no match for the juggernaut effort of David Fincher. "The Curious Case of Benjamin Button" exceeds not (only) in a technical level, but in an emotional one. The following phrase may seem a little strange, but it is true: Fincher is a romantic. "What? The director of Fight Club and Se7en, a romantic?", some may ask. Believe me, I'm as surprised as you are, I'd answer. Benjamin Button is the most memorable romance of the year and it represents a level of maturity for Fincher, one that was beginning to show after last year's Zodiac. The director doesn't waste any more time with MTV-like editing or pretentious directing. Now, his efforts are quiet, delicate. In a Kubrickian-like level of detail, he meticulously creates Button as a romantic fable. Alexandre Desplat's haunting score helps in creating the atmosphere for the 166 minute romantic epic. They don't make 'em like this anymore. Eric Roth's screenplay has been often compared to his previous Oscar-winning effort in Forrest Gump, but it is here that the writer excels himself. It's a sweeping, emotional story, and a true study on the notion of life and how time can pass us by. Benjamin Button could be only a metaphore, but in the hands of Brad Pitt, he becomes the most fascinating character of the year. Boasting the best performance of a superb cast (Taraji P. Henson, Cate Blanchett and Jared Harris give award-worthy performances), the underrated actor/movie star creates Benjamin as a passive observer, a man who truly understands and embraces the notion of death. He doesn't mourn, nor does he seem to show any sign of emotion. In the end, he has to let go. It's a moving, subtle performance that could easily be dismissed. Luckily, the Academy understands a thing or two about acting. Benjamin Button is Brad Pitt's only second nod. Hopefully, there are more to come. One cannot forget the technical wonders of the film. The cinematography, which seems to morph as the decades go by; the impressive makeup, that not only makes Cate Blanchett look old (and I thought that was impossible...), but also seems to age BRAD PITT during the Russia segment! The visual effects, though, are the film's true technical standout. Never before was this sort of technology been seen on a film. The closest comparison I can come up with is Andy Serkis' Gollum in the Lord of the Rings trilogy. There are some flaws in Fincher's newest masterpiece. But they're too minimal to really consider. "Benjamin Button" is a film for the ages. I've said it once, I'll say it again: they don't make 'em like this anymore.
< Message edited by movie_man2006 -- 27/2/2009 12:26:44 AM >
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