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Director: Uli Edel Screenwriter: Bernd Eichinger Starring: Moritz Bleibtreu, Martina Gedeck, Johanna Wokalek, Bruno Ganz Synopsis Based on the early years of the West German terrorist group Red Army Faction, which was originally found by Andreas Baader (Bleibtreu) and journalist Ulrike Meinhof (Gedeck). Review During the last few years, this new wave of German cinema has pleased Westerners with their films about serious topics on German history, such as Downfall and The Lives of Others. Though these films are based on early periods through out the 20th Century, their subject matters reflect the current political situations, such as the War on Terror. This latest German piece on war and terrorism is in the hands of Uli Edel, who directed Last Exit to Brooklyn and surprisingly, Body of Evidence. Using Stefan Aust’s book as a basis, writer/producer Bernd Eichinger creates an epic and intelligent piece of history that is hard hitting. Despite having such smart storytelling, which explores the rise and downfall of the RAF, there is too much depth that is shoved into the story, just to screw with our heads. Because there are quite a few unnecessary scenes, just so the filmmakers were trying to make it into a dead serious piece, it feels somewhat incomprehensible. While there are complications, there is a lack of character development, which is unfortunate, because the film fails at bringing a story that is personal. However, on a positive side, the film is saved by excellent performances, particularly the leads. Though there aren’t any intimate scenes between them, independently Moritz Bleibtreu (Run Lola Run) and Martina Gedeck (The Lives of Others) are psychologically brilliant. While there is great support, including Joanna Wokelek as Baader’s lover, some cast members are not necessary, such as Bruno Ganz. What Uli Edel brings as a director is authenticity, due to the brutality within the action sequences and the recreation of the police state of West Germany. With the film being two and a half hours long, it feels too long, due to the overuse of cutting to the next scene. Verdict While it is another breakthrough for German cinema, it does lack some qualities that made Downfall and The Lives of Others so brilliant.
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