jobloffski
Posts: 1837
Joined: 30/9/2005 From: elsewhere
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That's kind of what I meant by the bit about taking the story from the 'realistic' to the 'Mythical'. It obviously doesn't really matter if he takes on Quantum or not next time out, but I feel it would be cool, after they've been referred to as an unnamed organisation in CR, presented as a shadowy presence with "...people everywhere" in QOS, to have the iconic Bond Archetype facing one of Quantum's 'Faces' on equal terms, now the making/breaking/surviving the fall building blocks of Bond's character have been dealt with. Ie a kind of Quantum's aware of him now , and he knows about them' so it really would be a one 'maverick' against one 'megalomaniac' story opportunity with the 'machinery' of the film around them being the context allowing this first Craig mano a mano, against an opponent more ready for him than Green. I'm pretty sure that was the reason Green wasn't a challenge: the film didn't yet need Bond to face a more worthy opponent, because he first had to overcome his own destructiveness and emerge out the other side... I have a liking for continuity, so my preferred villain for Bond 23 would be Mr White, who appeared briefly in CR, was pretty much humiliated by Bond in QOS (regardless of his escape) and would have a personal stake in opposing Bond (perhaps expecting Vesper to be a psychological weak link for Bond would be his error that allows Bond to take him and whoever else he surrounds hinself with. Then the templates for both how the Hero and Villain archetypes develop would have been explored. The actual megalomaniac doesn't need to be a physical match for Bond, all he needs is greater resources then Bond (intellectual/financial) to provide opposition to Bond's character: technically he should not be able to get to these guys, but his tenacity and refusal to quit sees him through (a core character trait brilliantly conveyed purely visually in the CR 'free running' scene where Bond is pursuing a far superior athlete, but simply will not quit and finds/improvises ways to compensate for his althletic inferiority in relation to his prey) After a first mano a megalomaniac main plot, then there'd be a more fully escapist 'romp' or two as a natural progression from the groundwork done thus far, before Craig bows out in a storyline that (perhaps) has the character feeling unnapreciated for all his hard work at the end and walking out on the secret service. The film after that, complete with new Bond, can either explain what brings Bond back or not bother with an explanantion. Why have Craig exit this way? Firstly, Craig's introduction as Bond has so far featured the development of his portrayal of Bond over time, so also incorporating him deciding to walk into the ending of his last film incorporates that sense of 'change taking place' into the end of his era, and literally clears the way for the next Bond. Secondly, Casino Royale incorporated what appeared to be a bit of humour responding to the fuss about Craig's casting: I knew it was a mistake to promote you/Well I hear OOs have a short life expectancy, so your mistake will be short lived So after will what probably be a continually successful run, for anybody who never takes to Craig, the exit can be a riposte to those who never appreciated him. Before this edit I referred to a last film including something bold, the above isn't what I meant, will keep that on ice, probably for one of my own pieces.
< Message edited by jobloffski -- 16/11/2009 10:36:44 AM >
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Yes, dreamers dream and doers do. But if dreamers DON'T dream, doers don't have anything TO do. Everything that is only here because people exist, only exists because someone thought of it., or in other words, dreamed it.
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