Prophet_of_Doom
Posts: 727
Joined: 15/2/2006
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ORIGINAL: giggity quote:
ORIGINAL: Prophet_of_Doom I can't believe I get abused for comparing Bay and Nolan, but then The Godfather and The Dark Knight are mentioned on the same page. Screw that, on the same website. Feck it, The Godfather and The Dark Knight shouldn't even both be mentioned on the same internet web thingy! The Dark Knight is a great popcorn flick; it has delusions of grandeur but has too many flaws for it to be considered a cinematic masterpiece. It's up there with films like The Abyss. Great, great fun, great to look at, moments of pure daftness, moments of high school philosophy, a fantastic piece of entertainment, but - here's the rub - at times they (DK/Abyss) take themselves far, far too seriously to ever be hailed cinematic classics. Don't get me wrong, a love them both, but to hold them up to films like The Godfather. Well, it's just plain unpleasant. Gah, I hate you all. i dont know if you've read much by chris kilby but he has a somewhat...juvenile, obsessive approach to comments sometimes so if you're a veteran of any batman related thread you learn to filter him out when he says things like that. However, You say delusions of grandeur, I say it aspires to be something a bit more than just popcorm entertainment. I'm not calling it high art but it's more appealing to me as a film than The Avengers was, not to say Avengers is a bad film, quite the opposite, to me The Avengers is a summer, popcorn blockbuster but done very well, but The Dark Knight films just offer that much more. I think a more correct film to identify the nolan batman films is with the first matrix, it was a blockbuster through and through but it offered a bit more substance which raised it above many other blockbusters (i'm not talking about the matrix sequels btw). Plus I don't think the fact that they're more serious than your average blockbuster keep it from becoming a classic. As Mark Kermode described Batman Begins, once he walked out of the cinema his first reaction was "oh my god, I can't believe someone was given that much money to make an art house film" Essentially that's what these films are, they step in the middle of blockbuster entertainment and more adult minded drama's and crime stories. Some have complained recently (noting that back when begins came out the verdict was mostly positive from the internet hoards) that this is an odd tone and it doesnt quite go together but me personally I love it. It perfectly presents to me my love for blockbusters which i had as a child, and i still have now however i'm much harder to impress down to the repetition of most blockbusters, and the more mature films i discovered when I was a teenager/Young adult, and continue to love to this day. To be fair to you, that's a really good point and very well argued. It's not often I am forced to reassess my own opinions! It is slightly presumptious (maybe even arrogant) of me to suggest that it's delusions of grandeur and not Nolan simply trying to elevate his films to something out of the ordinary. I can certainly see that and of course if that's the case, then good on him. I'd suggest that he still doesn't quite pull it off because I think he doesn't quite know when to reign it in when he needs to - as mentioned before, I do think some of his set-pieces are overblown and the equivalent of a serious Expendables 2 ... hey, why have a two minute fight when we can have a ten minute one!! I also think the comparison with The Matrix is a good one, which I would probably put in my top ten films, but it certainly has moments where it really does take itself far too seriously. So, all I can say is that perhaps you're right and I should be a bit more objective in my next viewing of TDK. I'm now going to go and struggle with my new existential crisis which has arisen from the fact that I might possibly be wrong about something. Worst thread ever.
< Message edited by Prophet_of_Doom -- 20/8/2012 10:28:30 PM >
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