TheDudeAbides
Posts: 783
Joined: 15/1/2006 From: In the neighbourhood, feeling a bit daffy.
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In A Lonely Place (Nicholas Ray, 1950) Outstanding psychological noir, starring Humphrey Bogart as the unbalanced screenwriter accused of murder and Gloria Grahame as the fascinated neighbour protecting him. In terms of tone and general atmosphere, this is more or less a perfect crystallisation of the noir genre, dripping with the neurotic instability which characterises (what I have seen so far of) Ray's work. His shooting style is very modern, using fluid camerawork as opposed to the more immobile techniques of old, and he has a keen eye for both for the exciting sequence and the revealing details. Bogart's most brilliant performances came when he was given these kinds of characters - hot-tempered, paranoid, insecure men decending into mental collapse (see Treasure of the Sierra Madre and The Caine Mutiny). As an actor, not the easiet kind of part to choose as your hallmark, but he was a funny guy. Dixon Steele is a superbly-written role anyway, a three-dimensional human being, who was apparently the closest to playing his off-screen personality the gifted but troubled star ever came. The high point of the performance, aside from the ending (which I'll come to), is surely when he plays out his theory of the murder, growing more and more involved, to the obvious discomfort of his friends. Grahame is good, too. She was an excellent actress, but her character here is slightly underwritten and she would do a better job later on in 1953's The Big Heat. The only really interesting element she is given is her idee fixe that Steele's violent fits of rage are inherently bound up with his genius, which attracts her to him even as his behaviour deteriorates dangerously. Aside from that, Grahame does her best, but without a well-developed part seems to have trouble deciding which note to strike, wavering between spunky and hopelessly devoted. That said, no one can fault either actor in the truly enthralling climax, a heady mixture of slowly-mounting emotional and physical violence that leaves the head in a spin. 9/10
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Reviews, film chat and the like at http://resilientlittlemuscle.blogspot.com The Oxford Student - proud home of a film section somewhere between Siskel and Ebert: http://oxfordstudent.com/?cat=11 "Hammy is a stretch, I personally think he was just over zealous." - IMDb reviewer on Dick Powell "Good night, Papa. Machs gut."
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