TheGodfather
Posts: 5125
Joined: 21/10/2005 From: Sin City
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The Furies Beautiful Western drama with Barbara Stanwyck in the lead as the daughter of a landowner in New Mexico. The story revolves around the battle between her and her father, who has a whole different view on life, business and the way his daughter should fill in her love life. Stanwyck and especially Walter Huston as the father (in his final screen performance) are strong and the cinematography is gorgeous. 7,8/10 And today I did an Ozu double bill: Tôkyô Monogatari (Tokyo Story) Ozu`s most known film but I had never seen it before, even though the dvd has been a part of my collection for years. Today I finally took the time to watch it. It is, like all his work, a very slow-paced that deals with the universal and timeless problem of the generation gap. Without dissaproving any of his characters he shows the "problems" and frustrations on both sides. As a viewer you`ll probably pick a side but somehow you`ll sympathise with the other side. With beautiful acting performances from a group of actors Ozu always used to work with (with Chishû Ryû leading them, who`s almost in every single one of Ozu`s films), he gives his audience a view into the Japanese (and probably universal) society, one that as sad as it is beautiful and gripping. It`ll remain in my head for a long time to come, I`m sure. A film that truly deserves its status as one of Japan`s best and best known film and one that almost 60 years after its release feels as up-to-date- as it did at the time of release. 8,8/10 Ohayô (Good Morning) A whole different kind of film is this remake of Ozu`s own 1932 silent masterpiece I was born, but... It`s one of the most light-hearted Ozu films I`ve seen so far. Two young brother want their parents to buy a tv set for them, like their next-door friend has. They refuse to do so and so the two decide that they don`t talk to anyone (except each other) until they see their wish come true. Once again the pace is very slow but the tone of the film is clearly lighter. The film even has a comical note to it. Again we get a look into Japanese working class and Ozu gives us a good portion of critique on consumer society. It`s good to see this, at first sight, not so serious side of Ozu. About the dating from 2000 Criterion dvd: how bad is that! not often have I seen such pale and washed out colours. It`s almost unviewable nowadays. I sure do hope that they upgrade this Technicolour work to blu-ray pretty soon... 7,2/10
< Message edited by TheGodfather -- 14/7/2012 10:51:16 PM >
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Jules: "What" ain't no country I ever heard of! They speak English in What? Brett: What? Jules: ENGLISH, MOTHERFUCKER! DO-YOU-SPEAK-IT?
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