Driver 8
Posts: 107
Joined: 26/4/2007
|
You may well hate this movie. Just a warning. Even if you adore the two and a half hours of deliberate dread and quiet evil, the ending may throw you completely. More on that later, but be forewarned, this is a film to provoke argument and reaction, maybe even more than the last third of No Country for Old Men The plot, such as it is, is relatively simple. We see the progress, and moral decay (though what was there to begin with, we do not know) of Daniel Plainview, across the beginnings of the twentieth century, through the prism of the oil industry in California. Plainview is a man willing to sink to any depths (pardon the pun) to achieve his ends, enlisiting his adopted son to give himself a family man image, and appearing at all times to be well spoken while his hatred and bile bubbles just beneath the surface. His conflict with local preacher Eli Sunday (Paul Dano) forms the backbone of the film, with both men loathing one another, and attempting to gain the upper hand. There Will Be Blood is a monster of a movie. Go into it willing to let it wash over you, as much as Jonny Greenwood's terrifying score does, and you will be rewarded. The pacing for much of the film is consciously slow and menacing, drawing us deeper and deeper into Plainview's world and mind, allowing his conflict with Eli to develop, with both men scoring victories of humiliation over one another as the film goes on. This will come as little surprise to most, but Daniel Day Lewis is astonishingly good here. Soon into the film, we're longer watching a performance, we are simply watching Plainview, his rage-filled eyes, his words carefully chosen, his menace constant. It is easily the performance of 2007/8, a masterclass in evil, but grounded in humanity. Paul Dano, who most will know from Little Miss Sunshine, is also very, very good. Dano's preacher is in ways just as bad as Plainview, and his varying moods, depending on who has the upper hand, are perfectly played. *Minor Spoilers* So to the end. I won't spill the details, but this may well prove the most divisive ending of any film this year. For me, the ending hit with such shock and awe that I didn't form an opinion until long after I'd finished watching the film. It does appear at odds entirely with the tone of the rest of the film, but this is doubtless deliberate. The reactions its various elements generates will be interesting to see, it seems to veer from black comedy to shock and horror in the space of its seven or eight minutes. I'm fully willing to see why people hate it, but for me, on reflection, I wouldn't change it for the world. Day Lewis is amazing in the scene, and Dano matches him all the way. It's a conclusion that will be parodied (with at least two lines that will be quoted for years) but at the end of it all, blood it promises, blood it delivers. At the risk of tainting a wonderful dark film with a horrible pun, the film, monster that it is, is bloody brillant. 9/10 Not up O'Hara's standard, but what is
< Message edited by Driver 8 -- 2/2/2008 4:52:17 PM >
|