Breakneck
Posts: 17
Joined: 21/2/2008
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SPOILERS SPOILERS SPOILERS Hi to all members, I am new, I am pissed off, I am sick of dreadful films getting fantastic reviews ( i am also being moved from the larger movie musings forum to this tiny strand when i wanted to open up a larger debate. However ) Come join me. To me, Cloverfield suffers all the flaws of a major monster movie, as well as all the pretensions of an art piece ( see how - just like Cloverfield's terrific writing team - i cleverly referenced Jurassic Park there ? ) Right from the off - why do we need thirty minutes of lame character introduction, other than to take into account budgetary restrictions and the limit of it's so-called plot ? And since we got thirty minutes, where was the actual character development ? Why was the party unlike any party I've ever been to ? Ie full of drunk, ugly people. What age group were they supposed to be ? They all looked pretty well off for college students. How did the creature knock the head of the statue of liberty off without doing any other damage to it, considering its ability to knock skyscrapers on their side ? How did the head manage to miss EVERYONE in the street, and kill no one ? Why was the CG that bad ? And why is people taking pictures of it an indictment of modern attitudes ? Surely some of the most potent and harrowing images of history are, like, pictures what people took. Is anyone else fed up of 911 being used as short-hand for terror ? Why has every film in the last seven years utilised images or made reference to it ? Yes, we get it, it was horrible, it changed everything blah blah blah. The 911 references were unforgivable given the context of the film, but interestingly - given that the film was one long camcorder compilation of other people's movies - it appears that 911 has become just another movie to be referenced as a short hand way of creating emotion and instant familiarty. Fed up with camcorder movies. Want to see well shot, well acted, well written films. Don't want to see camcorder Godzilla thanks. The camera seems powered by a nuclear reactor, it has a 700Gb SD-card, more functions than a Tri-corder from Star Trek, but they couldn't have given it an autofocus and steady cam feature?? If you want to make it about a cameraman why not a journalist and a camera man ? Wouldn't that get over the whole "why doesn't he ever put the camera down ?" questions ? Coz it's his job, like ? Ah yes - because it's people just like us. Except, I didn't recgonise any of the carboard cutout "characters" as people. They had no recognisably human facets - they were characters written by people who love Kevin Williamson. The worst line of the film: "hey man, hey - I'm sorry your brother's dead." Because I hadn't got that, that it was his brother, from the last thirty minutes and the fact that every time anybody talked about them, they referred to them as his brother. Plus the fact that every time they talked to each other, they referred to each other as brothers - "I'm your brother man and even i think you're a dick" etc. More importantly, re footage - what did they actually shoot that was important ? Since they spent the entire movie shooting away from anything of import, and spent the majority of the time cracking glib jibes about other films, why the need for secrecy ? Nobody went hysterical when they saw the 700 foot monster for the first time. Maybe it's just me but I'd have expected some if not most people seeing something so mind blowing for the first time to start screaming like their mind had just snapped. Why was there never one use of the word "fuck" ? Have to tell you, that would be the only thing to escape my mouth if i saw the above. Fuck fuck fuck fuck fuck. The reason ? To secure a fifteen rating, and therefore more money. So we can utilise 911 to create an atmosphere, but no one can swear ? Since when do choppers - MILITARY choppers - fly so slowly that a big, ogre-tromp creature can outrun it ? And the referencing of "United 93" in the crash ? Get your god-damn genres sorted out !!! Are we a horror, a creature flick, a fucking terrorist treatise ? And while I'm thinking about it - why the hell should we be interested in these wankers trying to find the woman what one of them loves and shit ? WHO GIVES A SHIT ? There's a 700 ft monster runinng amok !!!! What, we're suppose to give a bollocks for the last ten minutes that the love-birds are back together ? The film is not better for a simplistic plot. The film insults your intelligence by daring to have this lame-ass excuse for a plot. It is lame. Why couldn't they be just trying to escape ? Why the need to make excuses ? Where was the tension ? The fear ? Just because you throw in an exact replica of something that happened in 911, doesn't mean I'm going to cream my pants at a quick glimpse of a CGI fish with legs. Why did the bugs only make noises when lights were shone on them ? Why did they change shape depending on where they were ? Why did the filmmakers choose to explode the most interesing character halfway through ? Don't you think you would have mentioned to the military people, who might just have some medical supplies and stuff, that one of them had been bit - or at least injured. Why did she explode ? Was there something inside her ? Did the film-makers just assume that because we'd seen aliens we would make the connection ? And what purpose did it serve, since it neither deterred the monkey-spawns nor ever came into it again ? And the less said about climbing up and over a tipped to one side building, then down into it, finding the girlfriend still alive, managing to pull her off a huge big metal rod without her bleeding to death, and then still managing to get back just in time to be the last passengers on the last helichopter out of dodge, the better. Why didn't they ever meet other people ? How did they manage to be in the same place as the creature no matter where they went ? Wasn't it lucky the last two helicopters just happened to have enough seats for the four survivors ? Did no one else hate the glib camera man ? Why did no one talk like real people ? Why did no think to get Ricky Gervais and Stephen Merchant to pen the dialogue ? "Alien" "Aliens" "Starhsip Troopers" "Planet of the Apes" "Escape from New York" "United 93" "Black Hawk Down" "Blair Witch" "Star Wars" "Godzilla" and more. Why not just watch those instead ? Lastly - why is everyone creaming themselves over this blatant, insulting, imitation film ? Please. Someone answer.
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