homersimpson_esq
Posts: 19962
Joined: 30/9/2005 From: Springfield
|
Anyone mind if I interject this fascinating discussion for a review of the actual film at all? No? Good... Lions for Lambs I have admired Streep for a long time, even if her turn in The Devil Wears Prada was somnambulistic. In Lions for Lambs she's the best thing in it, and she's not even on form. The film jolts between three disparate stories. The first is between Cruise and Streep as Republican ('my party', Republican is never name-checked) Senator and reporter, respectively. (The network for which Streep's character works is never name-checked either.) Cruise is every bit the arrogant, slimy, seemingly earnest senator - but isn't he always to some degree an arrogant character? (My brother met him once and while Cruise might have been having a bad day, he was arrogant then too.) This is 'Cruise-as-earnest-senator', no more, no less. Streep does the world-weary reporter well, but she can do better, much better. It's like she's ticking boxes. When the two characters began this meeting - a rare lengthy meeting for the reporter - I felt this might be an interesting first act, not almost the whole film as it turned out to be. At one point the camera focuses on the clock so we can gauge how much time has passed. I felt every minute of it. The second story is between Redford as "A Californian University" professor. (That's how it is is subtitled, again not name-checked) and a disillusioned student. This is by far the weakest plot strand. Another two-handed meeting, and far less interesting. At one point the student accuses politicians of talking for a long time without saying anything - the same happens here. Regardless of the points that Redford and his student are trying to get across, the message is lost in the sea of trite and muddled orating. There are some interesting flashbacks of Redford's character and two previous students who make up the third plot strand. Two students who felt that the only way to make a point about the state of the country was to sign up to the army are part of a team making strikes in Afghanistan as part of the strategy being told to Streep's character by Cruise. They're the best bit of the film as they try to outwit the incoming Taliban. Even so, for the majority of the film they're static, wounded on a hillside. That is possibly the greatest problem I had with this film - it's far too static. I'm not saying I need balls-to-the-wall action (although you'd expect it with scenes in war, except maybe in Jarhead, obviously) but for all the talking, the film doesn't go anywhere. It's not just physically static, it's also emotionally, politically, and dramatically static. That last one is the killer. I'm not going to touch the politics with a barge pole as I don't know enough to have a valid, informed opinion. But dramatically, as a piece of cinema, it fails. (NB: In case of any accusations of jumping on bandwagons, the only critical appraisal of this film I had read was Empire's, so had nothing but fairly positive expectations of it.) The Acting - 4/10 - Seriously, Redford barely does anything, Cruise is his usual untaxing preening arrogant caricature, and the rest of the actors get hardly any sort of character to work with. Streep as I mentioned, is the best thing here, and still she's maybe half as good as she could be. The Look - 3/10 - Talking heads are all very well if what they're saying is interesting. It isn't. At all. The scenes that might have been gritty - the Afghanistan-set scenes - are clearly a studio. Coming from me, that's saying something, because usually I'm not looking for that sort of thing on a first viewing. Even if I look, I rarely see the 'joins' as it were - the constructs that belie set over location. Maybe they were poorly created, maybe I was bored and consequently looking, I don't know. The Sound - 3/10 - The music was generic at best, forgettable at worst. The Story - 2/10 - Meandering, nothingness, and dull. I nearly walked out, but on the strength of the Empire review I stayed in the hopes something might happen. It didn't. Success of Intent - 2/10 - Patronising to the viewer, both on a political front, but more damningly, on a dramatic front. Aside from the mildly interesting back story of the two students who signed up, there's not much else to recommend this film. Overall - 14/50, or 28%
< Message edited by homersimpson_esq -- 11/11/2007 11:56:42 PM >
_____________________________
That deep-browed Homer ruled as his demesne. TREK WARS
|