Larry of Arabia
Posts: 7364
Joined: 28/2/2007 From: Turtle Island
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I think they're neglected because of the quality, yes. Although Saved, Shot Of Love etc are in the middle of his 'born-again' period, their quality isn't brought into question because of the moralising, I don't think, but simply because Dylan wasn't at his best. The rest of the Eighties decline wasn't thrown into relief until 1989's Oh Mercy (a great album, one of my favourites), and by then, I think he had been less and less passionate about religion for some time. Even then, Under The Red Sky was next and that's not up there in the list of great Dylan albums either. quote:
ORIGINAL: rick_7 They're probably fairly neglected though, in comparison with his other stuff. There's at least one great song on most of his '70s and '80s records - in fact, we seem to agree on what they are, from your list above - but nothing like the invention and consistency of his best records. The version of Every Grain of Sand on Bootleg 3 is absolutely amazing, incidentally. Speaking of The Bootleg Series - there an age old question. Which do you prefer - the Bootleg versions of the Blood On The Tracks songs (Tangled Up In Blue, Idiot Wind, If You See Her, Say Hello) or the final studio versions? As stand-alone's, I'd go for the Bootleg cuts, but I don't think I'd like that mood sustained over a whole album, and would go for the finished album as a whole, who's merits I don't have to explain.
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"Everything was beautiful and nothing hurt."
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