licencetokilt
Posts: 18
Joined: 26/10/2012
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Okay, here's my thoughts on the Bond series... Dr. No: Iconic, classic, a landmark....and it mostly bored me. Good individual moments (the 'three blind mice' bit, the spider, Bond shooting Dent), but it's dated badly. The finale almost sent me to sleep. From Russia with Love: Now we're talking! Much tighter, stronger story, great suspense, great villains, and a hell of a scrap on the train. Goldfinger: A lot of fun, but not as good as FRWL - this has more or less all the elements in check but it seems more vintage than anything, I can appreciate it, but it doesn't get me going. Thunderball: A wet Goldfinger, and not as good. Hilarious sped-up footage in the final boat sequence though, and of course, it's all entertaining, but I drift in and out of this one. You Only Live Twice: Bigger and better, the only problems are the little things (who's filming all the action in space that Blofeld and Bond are watching?/for some reason the name 'Little Nellie' sets my teeth on edge/Bond's Japanese makeover) - mostly this is the best of the 'grand' Bonds - in other words, the Lewis Gilbert ones. On Her Majesty's Secret Service: Phenomenal. Lazenby lacks the edge, but he's got the heart, and that final scene is abolsutely beautiful. The best action of the series so far, the best Barry score so far....it's a real peach. [i]Diamonds are Forever: Lush Barry score and the funniest script of the series so far, but a bit of a joke after the impact of OHMSS. Bond's confrontation with Blofeld in the Whyte House doesn't get you thinking for a second that this man's wife was murdered by the other. Ending's a bit of a let-down, but I really like this one! [i]Live and Let Die: I grew up watching the Moore films on video, and I really love the whole Blaxploitation/voodoo.US feel to this one. Yaphet Kotto is pure gold as the villain, I love the henchmen, and some bits will stay with me forever (the opening funeral, the speedboat chase, the crocs, Baron Samedi with a chunk of his head missing). The Man with the Golden Gun: Scaramanga's the best villain so far, score is gorgeous, love all the bits on the island, but too much humour threatens to seriously derail this one. Scenes between hero and villain seriously good - great dialogue. Nick Nack in a suitcase - just bad. [i]The Spy Who Loved Me: For some reason, I just don't love this one, even if it is the one Moore film we're all allowed to like. I find the final act a real drag, and Stromberg's not the best villain. Good early scenes though, an amusing soundtrack, and Jaws is pretty frightening here! [i]Moonraker: As slightly underrated as much as The Spy Who Loved Me is slightly overrated, this has its moments - the cable car, the centrifuge and the dog attack, but a lot of the space scenes are drab. Jaws becomes a joke. Holly Goodhead is beautiful but boring. Drax is a most amusing villain, and the 'Flight Into Space' sequence is one of John Barry's best moments. For Your Eyes Only: Hilariously silly pre-credits bit aside, this is a straight-up thriller - I love the disco Bond soundtrack, the stunts are terrific and there are some great set-pieces, especially the mountain ascension and the shark bait bit. Villain is good but not great.Has an edge that none of the other Moore films have. [i]Octopussy: A personal favourite - lavish, spectacular and very funny, with the lushest Barry score in ages, an underrated villain (Louis Jourdan), and Moore on top form. Of all the silly Bonds, this is by far the best one. Yet abundance of humour makes you forget how good the suspense is in places - the bomb bit at the end gets me every time, as does the bit with the clown near the start. And who doesn't feel sorry for poor Vijay? A View to a Kill: Incredible Barry action theme and my personal favourite villain aside, this runs on low gear - Stacey Sutton is am embarrassing Bond girl and there's too much padding. Still, it's a nostalgic treat for me, despite the fact that I should know better. 'California Girls' bit the second worst moment in the series. The Living Daylights: Now we're talking. Timothy Dalton, the true great underrated Bond. Overlong antics in Afghanistan aside, this has the edge, the romance, the suspense and the spectacle I want from Bond. Pity about the so-so villains, although the milk bottle hurling henchmen is great. Licence to Kill: One of the best in the series. Action is amazing, Kamen's score underrated, Dalton mean and intense, the villains truly despicable and the atmosphere unparalleled in its feel of real danger. This is a million miles away from Moonraker and by I feel as knackered and exhausted as Dalton does as he leans back and (watch for it) almost gags after all he's been through. Happy-go-lucky shot of Felix at the end the only apallingly misjudged moment. [i]Goldeneye: Sleek, smooth and insanely entertaining, this is one of the most fun Bonds ever, not a comeback in my books (I loved the last one), but still a real re-charge and the best Brosnan film. Sean Bean delightful, the women are terrific, the score unique (in a good way), the set-pieces incredible....almost a perfect Bond film. Tomorrow Never Dies: Fun, but worryingly anonymous, this is a well-oiled machine, runs well but a bit soulless. The action is relentless but it becomes a bit wearying in the second half. Villain could have done with more edge but is still pretty enjoyable. The World is Not Enough: Sophie Marceau is the best female in any Bond, ever. She takes this film, with its decent but not great action, atrocious humour and worst Bond girl ever (Denise Richards) and gives it real class and seductiveness. Die Another Day: Worst Bond film ever. Worst theme tune ever. Worst Brosnan performance. Unfunniest script. Special effects appalling. Only good elements are the hilarious villain and occasional outlandish set-piece (the fencing duel). Otherwise, a disaster. [i]Casino Royale: Probably the greatest comeback in cinema history. It's like the series has been completely reborn. It's not like the old Bonds, but it's something new, and something brilliant. Craig is excellent, Eva Green luscious, tension through the roof, emotion in high gear, what a movie! Quantum of Solace: What the fuck happened? Seriously? Following one of the best with one of the worst, this has the weakest action of the series thanks to its ghastly editing, and yet it has the MOST action in the series. A totally uninspired film. [i]Skyfall:[/i] Overlong and sprawling, but a major return to form. Bond women brilliant but underused, decision to delve into Bond's past interesting but potentially demystifying, and do we really want that? Action great. Theme tune great. A lot of fun. However, does the last scene bring everything back to the old Bonds, and away from everything Casino Royale was delivering?
< Message edited by licencetokilt -- 30/10/2012 3:28:49 PM >
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