Nevsky
Posts: 1
Joined: 26/6/2006
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Tales from Earthsea, the new feature released by Studio Ghibli, was directed and co-written by Goro Miyazaki, son of the studio’s primary auteur and widely acclaimed genius, Hayao Miyazaki. Earthsea is Goro’s debut at the helm, and therefore is thrust in the spotlight as a marker of his ‘worthiness’ to his father. The film has received mixed reviews, garnering overwhelming support in Japan and a slightly cautious welcome elsewhere. Indeed, detractors may say that momentum secures Earthsea’s domestic success on studio name alone, as previous Ghibli movies have successively broken gross and attendance records. However, such a view should also take into account its flipside, that fans in Europe and in the US, treating Ghibli as an ‘arthouse’ alternative to Disney and other mainstream animation films, may savage Earthsea and its young, still-learning-the-ropes director for simply not living up to his father’s precedent, for not delivering on the momentum. This is, in a way, is a shame, because Tales from Earthsea, while certainly not a masterpiece in the Ghibli mould, has too much to commend to be rejected and dismissed. Miyazaki shows his inexperience in the story. Adapted from an English language fantasy novel, Earthsea chimes with previous Ghibli films, such as its immediate predecessor Howl’s Moving Castle. However, Le Guin’s source material, epic and widely spanning in its own right, is reduced to a frustrating cipher, in which a hodgepodge of characters and setpieces merely fill stereotypical roles in telling an immaterial and at times confusing story. The film runs close to the two hour mark, yet I left the cinema feeling that little has been told. The film’s first act, which introduces the world of Earthsea, quickly seems irrelevant, as such tantalising plotpoints as duelling dragons, a deteriorating climate and dwindling magic power are cast aside,. A vague environmental message is attempte
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