Coyleone
Posts: 480
Joined: 13/10/2008
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Alphahville (Godard, 1965) Science fiction from Jean-Luc Godard, and it's brilliant. By today's standards, the story seems quite conventional; A secret agent from 'the Outlands' (Eddie Constantine) is sent to the city of Alphaville in the future to free it's citizens who are all under the control of the Alpha 60 computer. It's a simple plot, but this is Godard, so it becomes so much more than that. The people living in Alphaville are all living under a strict regime and always being watched, ranging from what they are allowed to believe in to what words they can or can't say, and anyone that doesn't follow the rules is found and executed. It's a strong theme and is just as relevant today as it was back then, and it makes for some rather powerful stuff. Although some of the references to novels and past cinema might have flown over my head, I really didn't have to recognize them in order to love this film. The themes it deals with; both political and the evolution of technology and what it could become in the future, are so well handled that they never overpower the overall story, but it's still evident what Godard is trying to say without him forcing it down our throats. The film is set in the future, but it's shot in 1960's Paris, but it's made to look grungy and really atmospheric, so it definitely gives the impression of a city under strict control. The lighting and cinematography really make you believe that it is 'futuristic', and I never once thought 'this clearly isn't in the future I'm watching'. The direction and editing are amazing as usual with Godard's films, and it's all tied together with a brilliant score. The use of music to build tension was well done, and it was definitely quite tense in some scenes, especially towards the end. Anna Karina is the star for me, she's brilliant in it as the evil scientists daughter who wants to be free, but has to obey the rules. Godard once again shoots her like a goddess, and captures her vulnerability and her struggle to come to terms with the way she is being forced to live. Constantine is good too, but I have to say he doesn't have the likeability of someone like Jean-Paul Belmondo or Alain Delon. The film becomes genuinely exciting in the final scenes and you really start to get behind him and Karina though. The end was unexpected, especially considering the endings to most of Godard's other works, but it felt refreshing and it was so satisfactory that it put a big smile on my face. This is clearly a very influential movie, it's impact is so evident on the genre. The way the story is told and the way it's shot, along with the added Film Noir tone to it all. I thought this was brilliant, not just for it's deeper themes, but it was enjoyable, fun and easily the most accessible of Godard's films that I've seen so far, it's also quite different to all of his other work, but it does bare a lot of stylistic similarities. Taking that in to account, I might recommend this as your first Godard film, It gives you a more toned down feel of everything he's about, and the sci-fi element is something that allows him to show that to a wider audience. if you like the stylistic and thematic aspects of this, than I'd say give some of his more challenging and less narrative driven stuff a go. I'd go as far as to say this might be one of the best science fiction movies of all time. It's seems so simple on the surface, but at the same time it's really complex like everything else I've seen from Godard. It's really enjoyable and also quite powerful which is something I can't say about a lot of films in the genre. Influential and fantastic film. There isn't a complaint I have with it, it might just be a third masterpiece from Godard along with Breathless and Pierrot Le Fou. 9.5/10
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