foz
Posts: 3490
Joined: 1/10/2005
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quote:
ORIGINAL: filmliefhebber A snake of June: not very special. The first half is better than the second half. The blue coloured fotography is nice for just 5 minutes. Quote: 2,5 / 5. I've never known what to make of this film. I dragged a couple of people I know to come and see this when it was part of the Tartan Asia Extreme thingy a few years back (probably the last really good season of these as well, if only for the respective appearances of Sympathy for Mr Vengeance and Bad Guy, which turned my vague infatuation with Korean films into something far more mucky), and I've not seen them since. Shinya Tsukamoto* is rarely for the faint of heart, and A Snake in June is possibly his most uncomfortable work to date. It's undeniably beautifully framed, but (kind of like Takashi Ishii's Freeze Me/Freezer) it blurs the line between celebrating and objectifying women a little bit too much, leaving the viewer feeling rather confused about how they should be feeling when watching it. Which, to be fair to Tsukamoto-san, was probably his intention all along. The lack of any sympathetic character (other than the cop who loses his gun, played brilliantly as always by the awesome Takeshi Kitano cinema sidekick Susumu Terajima, who I have yet to see turn in a performance that isn't excellent) is always a bugger for me, but I suppose that the fact that I still think about this film 3 years after I've seen it shows that someone's done something right somewhere. A unique film, but possibly for all the wrong reasons. * If people of this parish don't already know him as top magician (of which he does a brief turn in a Miike film, which if memory serves me right is Dead or Alive 2) or as director of bodyhorror oddness Tetsuo, then you may know him as Ichi's mentor Jiji in (and literal provider of manfat for the opening credits of) Ichi the Killer.
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