Deadly_Little_Miho
Posts: 398
Joined: 30/9/2005
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Female Prisoner #701: Scorpion Plot Synopsis from IMDB: After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...), Matsushima Nami's desire for revenge knows no bounds. Her failed attempt at stabbing Sugimi on the steps of the Tokyo Metropolitan Police Headquarters results in her doing hard time in a female prison run by sadistic and horny male guards. To Sugimi's surprise, Matsushima refuses to testify against him and his connections to the mob, and now the sheer fact that she knows such secrets makes her a liability. So Sugimi and the Japanese mafia orchestrate a plan whereby Matsushima will succumb to an "accidental" death in prison. They enlist the help of Kagiri, another female inmate with ties to both Sugimi and the mafia, thus their formidable plan is quickly set in motion. Little do they realize, however, how hotly Matsushima's desire for revenge burns within her. Watching this on a recommendation of my Art teacher, following a conversation about the film Red Angel, I wasn't expecting much. Not just because exploitation films have never really interested me, but also the fact that my sole foray into 'pinky violence' films (the genre the teacher insisted this was in) left me somewhat cold - dark, grainy cinematography and unerotic sex scenes don't exactly scream "great film". However, having watched the film, I can safely attest to it being far more than a simple T&A fest with a little sadism thrown in for good measure. That's not to say those aren't present, they are along with lesbian seductions and a number of rape scenes (male to female, and vice versa). So-far-so-crappy, but what sets this apart, and elevates it to IMO a great film, is three-fold. Firstly the story is genuinely involving, and well-written able to stand proudly amongst the glut of modern revenge pics. Secondly, the central performance by Meiko Kaji radiates intensity, managing to be both frightening and alluring as needed. Finally, and most importantly, is the cinematography, and sheer style of the thing. It really is a feast for the eyes. two scenes particularly stand out in my memory. The first, a moment of pure psychadelia, sees a convict remove a gurad's eye with a sliver of glass. The second is the rape of Mitsu by Yakuza, when the camera is placed beneath the floor at the victim's shoulder, forcing the viewer to experience the act exactly as she would.
< Message edited by Deadly_Little_Miho -- 6/6/2007 11:44:07 AM >
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"Give a man a fish, he'll eat for a day, but hit a man with a brick and you can have all his fish... And his wife!"
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