mfj fratelli
Posts: 2580
Joined: 14/6/2006 From: The International Brotherhood of Stevedores
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quote:
ORIGINAL: BobM70 "Tarantino doesn't deliver on his own premise. In a proper grindhouse movie, absolutely anything goes--except for the one terrible taboo you must never break: whatever you do, never bore the audience. Rodriguez' insane onslaught of genre mayhem would be a tough act to follow for anybody, but Tarantino dials the excitement way down. Instead of exploding zombie heads, we're suddenly watching four nearly indistinguishable women talking endlessly about sex and drugs without ever establishing anything like credible or likable characters--which would be ok if they were at least funny. But QT's dialogue isn't half as hip or cool as he clearly thinks it is, and stretches of Death Proof feel like a tiresome Tarantino parody, or worse, bad Kevin Smith." "Now it may seem ridiculous to criticize a Tarantino movie for being too talky. His characters are verbal kaleidoscopes who exist to babble. But in Death Proof every bit of dialogue feels overlong and completely self-indulgent to the point where Tarantino seems to be imitating himself rather than grindhouse movies. It's hard to believe this is coming from the same guy who so perfectly captured the era just a few short years ago when he made Kill Bill. Ever the actor's director, Tarantino is obviously focused more on performances than actual content, which explains why a stylist like Rodriguez feels more at home in this territory. Death Proof's cast of vixens are drop-dead gorgeous and act well enough, but as characters, they're also interchangeable. The stand-out is, of course, Russell who remains a raging pillar of bad-assery, but even then he feels underused and strings this aimless script along by a thread." "The first half of Grindhouse is really fun. Planet Terror delivers the goods with a furious pace and a ton of laughs. My only complaint is the film is not a 70's period piece. The look is totally Lucio Fulci but Rodriquez includes minibikes, cell phones, etc. The scratched up effects are fantastic. Death Proof is also not a period film but unlike the previous film it's a complete bore. Tarrantino must of thought his writing could entertain audiences for the first 60 minutes. It doesn't. It's dull. VERY DULL. People were leaving the theater it was so bad. The actors keep talking about the movie Vanishing Point over and over. I wish I had been watching Vanishing Point. Why did they put his film last? Must be his out of control ego. I've liked all his previous work, but this is just awful. I feel sorry for Kurt Russell. He deserves better. For some reason they ditched all the cool scratch effects that Planet Terror had. I don't get it. This should of been just a trailer. Seems Quentin needs to watch some of the Grindhouse movies before trying to make one." I just watched Grindhouse and I've highlighted the parts I agree with. Planet Terror was more enjoyable. Blood galore, uber-hot chicks, guns, butterfly knives, expolsions, implosions, poison gas, amputations, laughs, winces, decomposing appendages. Yep, the very reasons anyone would want to see it. If the trailers got you off than you won't be disappointed when you see it. Death Proof on the other hand.... I hate to admit it, but the reviewer above is right. I agree with everything I put in boldface. However, that doesn't mean DP is without its moments. It takes a while for the thrills to come, but when they do you'll treat every gear change, tire screech, window shatter, fatal rollover,and metal-on-metal scraping as a sweet cacophony of vehicular carnage. Verdict: Planet Terror - 3.5 Death Proof - 3 Overall, I'll be generous: Grindhouse - 3.5 And since I have an intuitive gift for Tarantino film references I'll rate this one as well: Vanishing Point - 3 P.S. The faux trailers were hilarious! P.P.S. Tarantino still has the skill when it comes to music tracks. Those bastards were slammin'. EDIT: I forgot to mention the overall theme of the two films. Bottom line - Guns are a life-saver. Especially in Death Proof.   
< Message edited by mfj fratelli -- 7/4/2007 12:13:13 AM >
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The Wire is surely the best TV show ever broadcast in America. This claim isn't based on my having seen all the possible rivals for the title, but on the premise that no other program has ever done anything remotely like what this one does, namely to portray the social, political, and economic life of an American city with the scope, observational precision, and moral vision of great literature. The Wire has never won an emmy? [It] deserves the Nobel Prize for Literature!
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