max314
Posts: 2707
Joined: 30/9/2005 From: London
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The Last Samurai (Zwick, 2003): "Everyone is polite. Everyone smiles and bows. But beneath that courtesy, I detect a deep reservoir of feeling." For us hardened film fans, it is indeed difficult to get emotional about films, particularly mainstream films. Yes, we may have our favourite franchises, and yes, we enjoy our formulaic shite just for the sake of it. But rarely is there a movie that is able to pierce through the cynicism of the hawk-like eyes that veterans of movies have. The Last Samurai is one of those movies. The film's heart is undeniable and strong. The historical accuracy of the film is not the issue, since it's not a documentary. What is the issue is the quality of the writing, the quality of the acting, and the quality of the directing. And, in all three categories, it scores top marks. But there is a fourth category that so many movies made in an arbitrary, by-the-numbers fashion seem to lack. The most recent Tom Cruise outing, Mission: Impossible III ( ), for example, hits all the right technical buttons in terms of structure, character, conflict, etc. But it has little real emotional resonance. Now, I'm one of the biggest fans of that film, but as the movie draws to an end, you feel relatively emotionless and neutral. Not good, not bad, just...a little ambivalent. But as The Last Samurai draws to a close, you feel a feeling of overwhelming emotion. An emotion that you've not quite felt before. At once real and ethereal. At the same time enlightened and humbled. It's an incredibly visceral reaction that seems to have no real source or raison d'etre. It's just there, hanging like a heavy cloud, refusing to part. I went to see the film with my family (we're all big Tom Cruise fans), and we drove home without anyone uttering a word...an unusual event seeing as we're usually nattering about the film we've seen for the rest of the evening. But we didn't say anything. On arriving home, the hushed awe just seemed to give way to a flood of overwhelming and emotional praise. And that's essentially what the film was: overwhelming and emotional. Tom Cruise's performance was utterly exceptional; a haunting power and sincerity that is beyond words. Ken Watanabe was also full of presence and gravitas. All the other actors in their secondary roles fleshed out the movie with such obvious commitment and perfectionism that the world that was created was completely engrossing and allowed you to follow the already-powerful emotional beats with yet more poignancy. The cinematography is also off the charts. Some of the compositions here are absolutely breathtaking, and Zwick's use of angles and and lighting typical of so many period Japanese films just adds to creating this beautiful, ethereal aesthetic. One of the most standout moments is the 'Battle In The Fog' where Algren encounters the Samurai for the very first time. An example of both outstanding cinematography as well as exellent choreography that succeeds in allowing you to track the battle perfectly. And this technical excellence is repeated in one action scene after the next, making for a perfectly natural and kinetic feel to the scenes. Every film is essentially a rift on the basic 'rules' of filmmaking, but as I've learned time and time again, it's not what the rules are, but how you use them. And to Ed Zwick's credit, he used them very, very well indeed. Perhaps even better than he had expected.
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MAX Laying the 314 on your candy ass.
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