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cerebusboy -> RE: Star Wars: Episode 7 (1/11/2012 11:29:59 AM)
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quote:
ORIGINAL: shool quote:
ORIGINAL: cerebusboy quote:
ORIGINAL: shool Also George not writing dialogue and not directing is a massive plus. George has always been bad at dialogue! (or, at least, been making a film where dialogue is not important). I always wondered what would happen if the following scenario: a prequel hater (no shortage of them!) shows the prequels to someone whose never heard of Star Wars. The person responds that the dialogue is crap. The prequel-basher responds with delight, and then proceeds to show the noob the original trilogy. How likely is it that the test subject will react "gee, this dialogue is MUCH better! I see why you like the originals and hate the prequels so!" style to the you-can-type-this-shit-but-you-cant-say-it antizingers of the original trilogy? The dialogue worked in the OT simply because of the delivery. There is alot of tech speak around the main characters, but Harrison Ford gave such a relaxed natural wise cracking approach and Vader such pure power in the voice that it all came across as believable and Natural. The humour and natural character interplay worked. If you took those elements away and replace it with poorly directed wooden delivery AND bad dialogue with characters that arent acting as naturally together. Then you end up with the rubbish bits of the prequels which take place inbetween the action pieces. If 'bad' dialogue can be redeemed by a performance then why can't that be true of the prequels? I disagree with 'poorly directed'. It old-fashioned scif-fi serial style direction. The films are supposed to almost work as silent movies, which obviously precludes a high focus on 'good' dialogue. I'd say "this is how liberty dies, with thunderous applause" is pretty good for 'bad' dialogue. Non 'modern and realistic' doesn't equate to 'bad'. I agree with Empire Five Star review of Attack of the Clones ([;)]) that Christenson gave a brooding and eye-catching performance, and he's better in Sith. The silent scenes of Anakin and Padme (before Anakin jumps in the ship to go confront Mace and the Emperor) and the scene of Anakin on Mustafar contemplating what he's done show that a low focus on dialogue can have an upside.
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