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Pigeon Army -> RE: Annual Poll - Top 10 films of 2011 (7/12/2011 12:49:31 PM)
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quote:
ORIGINAL: rick_7 quote:
ORIGINAL: Pigeon Army 02. Rango (2011, Gore Verbinski, USA) Interesting. How so? Gonna source out my review to answer this for me, as I think it was pretty accurate and still is - quote:
Rango (2011, Gore Verbinski, USA) - 4.5/5 With the recent glut of revisionist Westerns questioning the nature of the Western myth and the legend at each myth's centre (Assassination of Jesse James; True Grit; No Country), it's refreshing to see a film set itself apart from the pack by positioning itself as a reconstructionist Western, a film that takes elements of the latest forty years of revisionism and uses them to reinforce the attitude of classical Hollywood towards Westerns - that the myths have power, that the legends are essential, that in all, the knowledge that the man on the screen represents something positive is all that matters (the recurring motif of boxes around Rango heighten that very artificiality that makes him representative as much as he is himself). That such a Western can come along in the form of Rango - a stunningly-animated, hilarious, well-told mash-up of Chinatown and Once Upon a Time in the West (right down to the former's drowned man in the desert and the latter's concern with the costs of the 'March of Progress') with some existential crises on the side - is even more refreshing and remarkable. John Logan's script is a finely written classical tale with brilliant characters across the board, from the titular chameleon with an acting fetish to the nameless raccoon child who is every single superfluous child extra in a Western ever. The voice acting is stellar, with Depp's versatility and Beatty's Huston-esque rendition of Dirt's mayor the highlights (Beatty's role as go-to-guy for animated villains is well justified). The animation is absolutely stunning, rivalling anything Pixar has ever released, and the film's themes are as deep and interesting as any of the latter Pixar films, even if some of those are far more meta-textual and concerned with cinematic canon than they are with more universal interests. Some of the jokes are a bit off (fart jokes eeeh) and the romance between Rango and Beans is a bit rushed, but hey, we can't have it all, right?
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