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swordsandsandals -> RE: 50 Favourite Film Performances (and some TV) (14/6/2010 11:07:50 PM)
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Some snippets from my Black Narcissus review: The main problem is the completely ridiculous set design. Perhaps it is because I am a conditioned product of my era and I like everything to be either starkly real or glossy CGI, or perhaps its because I think that lush forests and obviously fake backdrops seem out of place next to the supposedly hostile territory that the nuns live in. It’s such a fake, romanticised view of India, complete with colonial racism and the good old foreigner stereotypes that were around at the time that every shot seems to ring false. As I mentioned, I’m quite open to the fact that I couldn’t get used to it because I’ve been spoilt, but really you can tell this is fake so badly that it’s hugely off putting. Still, at least it provides a nice place for the Indian drummers to sit around playing drums with no apparent reason. ... So in order to cover up the shoddy set design and painful acting, Powell and Pressburger decide that the only way to create any kind of tension is to have a completely overbearing score of dissonant strings so that we, the stupid audience, can be helpfully told things such as “EVERYTHING IS GOING WRONG” and “SHE’S GONE CRAZY!!” The orchestral score is a little like being smacked in the face with a violin. It’s a complete waste of a brilliant musical instrument and it leaves you with a horrible headache. A bit like the rest of the film, really. Everything, from the tension to the romantic interest, just feels so forced and fake. It’s not so much an assault on the senses as an assault on good taste, and it’s not an experience I hope to repeat in near future. Or ever, for that matter. ... A horrible concoction of terrible acting, terrible set design, terrible stereotypes and terrible music. Which makes for a terrible film. Still, it’s redeemed (just) by some clever camera techniques and the fact that it came before a time when a sequel might’ve seemed like a good idea.
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