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badassmofo -> RE: Indiana Jones and The Curse of George Lucas (22/5/2008 10:56:38 AM)
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SPOILERS Do you ever have moments when in watching a film you immeadiately know the moment that you get taken out of a film and just can't get back into it? I certainly had that with this. The beginning is fantastic, in fact I would go so far to say that the Area 51 sequence rivals Raiders' opening for sheer fun. Exciting but strangely plausible, something I have always found with these films, it gets the film off to a great start. While the very first shot of Mutt is a little contrived, his introduction and chemistry with Indy is rather excellent for a long while into the film and the motorcycle chase while not the most memorable action sequence is still very satisfying. Ray Winstone's introduction is also a joy and while he does some good ambiguous stuff throughout, the introduction really is his best section of the film. The main thrust of the plot is also handled while and the threat of the Russians is very much kept in the front of our minds throughout, helped no end by Cate Blanchett's bizarre performance while fits in nicely to the slightly "ooey ooey", as Ford called the film in last months Empire, vibe of the film. Then things start to go wrong. As soon as the film hits the jungle, things get bad. Karen Allen, bless her, has not been in a major film for years and it shows. While her feistiness was an integral aspect to Raiders' success, she now feels more like an embarassing mother and it seems fairly obvious to me that Spielberg hoped the nostalgia factor would mask the fact that she can't hold her on against EVERYONE else. Its one of those A for effort D for acheivement deals. John Hurt also pops up and is completely wasted throughout as he is given nothing to do but babble and pull silly faces. But worse than both of those factors, the film then completely "jumps the shark", off into implausible CGI assisted action for the last 50 minutes or so. Seeing Shia Lebeouf have a sword fight with Cate Blanchett, the both on two moving trucks, actually made me die a little inside. When I told my girlfriend about that part, she said "oh dear" and thats about the size of it. The action becomes completely off the wall and for all the talk of Spielberg saying he wanted to use as little CG as possible, it becomes one of the main elements of the film as it reaches its climax, something you just don't need/want in an Indy film. Also for all the CG on display, that can't fix the fact that much of the film looks obviously stage-bound, the sense of epic scope sorely dulled by this. The "shark jumping" then reaches its ultimate high with the resolution of just what is going on. The "ooey ooey" factor reaches its nadir, the Lucas infulence sadly clear as day, and the ending, which also retreads Raiders' ark opening quite a bit, is a mix of CG and lunacy and while I understand Spielberg and Lucas were going for a 1950's sci-fi vibe, in my screening people just laughed and with good cause as the "two words" Kit Fisto refers too comes out and you just end up scratching your head. It simply does not work and serves to very much hurt the film. The very last scene is also rather unneccesary and while it neatly ties off the Indy saga, it rather clumsily tries to point out a new franchise, and one I sincerely hope does not happen as while Shia LeBeouf aquits himself well, I just don't see what worth there would be in it. While not the "Phantom Menance" some dreaded, this film shows that the man in the hat might be back but its not the years or the mileage that will be Indy's ultimate foe. Instead its CGI. 2/5 EDIT: I just read one of the CHUD reviews of the film and my last line is virtually the same as one of theirs. Call me unoriginal but don't accuse me of stealing material! lol
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