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Harry Lime -> RE: At least Hitler had the buses run on time (17/4/2007 7:04:54 PM)
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He does have a point though. The Nazi propaganda machine owed much to the iconography that the likes of Riefenstahl and Speer thrust upon the World. I mean, watch Riefenstahl's Triumph Of The Will. It may have been used to glorify a truly sickening ethos, but as a work of art it is engrossing, emotive and technically exquisite. The rallies themselves were truly stunning. Perfectly orchestrated to put over the precise image that Hitler and Goebbels (who fully grasped the power of the still reletively new medium of film) wanted to reflect the strength, efficiency and popularism of the Nazi party. The same goes for Speer and his grand vision of Germany. Even, in a thousand years, the ruins of his buildings would, he claimed, be magnificent. Hell, even the Nazi Flag and swastika is a work of art. Perhaps the most potent non-religious symbol that man has ever created. Blood red, black on white. Throughout the 1930's and early 40's it was used to striking effect across Europe and became a rallying point for facism. One, in terms of reaction, that exceeded (and continues to exceed) the image of Adolf Hitler himself. In propoganda terms, their achievements were not only admirable; they were remarkable. It's just a shame they were used to deliver such an evil message. And it's a shame that Ferry's adulation of these achievements seem to go a little further than the aesthetic.
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