"Here I had a character who I knew had to live in a fedora for the entirety of the film - what's a cinematographer going to do to light Harrison's eyes?... I went down to [London hatter] Herbert Johnson. They had a model called the Australian, which was silly because it snapped up on one side - that was completely the wrong thing. I thought, except for the chinstrap and the brim and the very wide hat and the brow this is absolutely the right style that I wanted. Harrison tried it on and with much shortening of the brim and much lowering of the crown, we created something entirely new. Once I gave my specs to Herbert Johnson, they were able to create an entirely new hat for me, which became the Indiana Jones hat. I worked on creasing the brow the right way and we took something that was entirely different, a Paul Hogan special, and made something completely different out of it. I think what disappointed me the most is that I never got the credit for making something new out of a Paul Hogan hat. It didn't exist, we made an entirely new hat."