One of the most consistent criticisms levelled at Spielberg is his tendency to pack his movies with an overbearing level of sentimentality. But he very rarely presents suburbia as a cosy, homely idyll and the cold landscapes of most of his films - particularly E.T and A.I Artificial Intelligence - are not welcoming, sanitised places. His emphasis on family reconciliation is undeniable and his movies often end positively, but take Catch Me If You Can and The Sugarland Express; two movies in which the main characters leave the screen unsatisfied and emotionally lost. When Spielberg's sentimental streak is let loose, it results in a hugely endearing feeling of strength, warmth and hope. And remember - this is the movies.

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