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Feature
80 Reasons Why John Williams Is The Man
We mark the movie maestro's 80th birthday with a celebration of his classic pieces

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The Temple Of Doom
First heard in: Indiana Jones And The Temple Of Doom (1984)

Steven Spielberg described the chant that accompanies the Temple Of Doom as the "only music effective enough to knock the hat off of Indiana Jones' head." By the time we get to this point in the movie, we are too far into the subterranean depths to hear the Indiana Jones theme, all the familiar comforting themes are out of earshot. Instead, as Mola Ram (Amrish Puri), high priest of the Thuggee cult, prepares to sacrifice a helpless victim to the god Kali, we are subjected to a Sanskrit choral chant, booming timpani and metal percussion that eventually find heart racing form, building pace and intensity to an ear shattering climax. Recorded before the shoot it became producer Frank Marshall's job to make sure the on-set drummer kept time with the playback as the actor had a serious lack of rhythm —the Making Of footage is hilarious. Unique within the Indiana Jones musical canon, Williams returned to the idea of a Sanskrit chant for The Duel Of The Fates in Episode I.

Listen to an excerpt:


Plowing
First heard in: War Horse (2011)

Introduced in the first War Horse trailer, Williams theme to represent the growing bond between farm boy Albert (Jeremy Irvine) and farm horse Joey (Finder) is amongst the loveliest stuff he's produced in ages. Powerful and majestic, it does that Williams (and Spielberg) thing of feeling grand and intimate all at the same time. When the melody rises through the horn section, it's a hair-stands-up on-end moment.

Listen to an excerpt:


Leaving Home
First heard in: Superman The Movie (1978)

Few composers can mark a rite of passage like Williams. As Clark Kent discovers the call of a generative green crystal and realises he must leave Smallville to fulfil his destiny, Williams takes a small Family/Smallville theme the score has been noodling with and turns it to something grand and gorgeous as a mother and son part ways.

Listen to an excerpt:


The Cowboys Overture
First heard in: The Cowboys (1972)

Directed by Mark Rydell, The Cowboys was one of the last cattle drives for John Wayne as a grizzled rancher who, after his cowhands go off in search of gold, enlists eleven schoolboys to trail his herd to market. Williams music, kicking off with blazing horns, effortlessly evokes the wide-open spaces of the old west and the thrill of a cattle drive but also pulls in an almost nursery rhyme feel to the tune to identify his juvenile cowpokes. It's a fun, good natured piece that proved important in Williams' career: along with The Reivers, it was the music that put Williams front and centre in the mind of Steven Spielberg when he was considering composers for his debut, The Sugarland Express.

Listen to an excerpt:


End Credits
First heard in: Born On The Fourth Of July (1982)

Williams' first collaboration with Oliver Stone is symphonic work on the biggest canvas. As with their next collaboration, JFK, the music is suffused by a real sense of America yet also full of Stone's sadness and regret, this time reflecting his feelings about Vietnam and the fallout for the veterans after they returned home. From the very first note, this contains some of Williams' most impassioned music, the emotion coming through in everything from the massed string section to the solo cornet. Williams has used music describe some of the key wars of the 20th Century but few of his scores attain the level of tragedy and loss-of-innocence as this.

Listen to an excerpt:

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Have Your Say
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Your Comments

21 RE: At no point...
Best on line feature you have ever done Empire, please ensure this is always available to listen too, A true master at work. More

Posted by JIm R on Friday February 10, 2012, 21:06

22 At no point...
...in my life have i come so close to orgasm just from an Empire feature. More

Posted by Swedle on Friday February 10, 2012, 18:27

23 Final Duel mistake.......
When Luke comes out of hiding, after accidentally revealing Leia's paternity to Vader, he doesn't say "Nooooooo!", he defiantly yells "NEVER!!!" before ending the climactic duel... Interestingly enough, that bit of music was also used in the final duel in the Lucasarts game Jedi Knight II: Jedi Outcast. More

Posted by jws1272 on Thursday February 9, 2012, 17:56

24 Missed one!
You should've added 'A Window to the Past' from 'Harry Potter and the Prisoner of Azkaban' More

Posted by dimitrifiani on Thursday February 9, 2012, 12:40

25 The Greatest
Undoubtedly the greatest movie composer of all time. My only gripe with this list is the exclusion of The Lost World's main theme. I believe this is actually Spielberg's favourite piece from all the Jurassic Park music. http://www.youtube.com/watch?v=eb6Xk5p9MpQ& feature=related More

Posted by Ballschin on Thursday February 9, 2012, 12:17

26 FLASHMAN
He simply has no equal; nobody else has ever treated every-single film as though it was a first assignment that needed special attention, (unless you knew, how would you know that the guy who did Heartbeeps also did Jane Eyre and, his masterpiece, Superman?) and when he is inspired by what he sees, (most recently by War Horse) we are elated. More

Posted by Frank Comiskey on Thursday February 9, 2012, 10:52

27 The force is with him...
The Oxford English Dictionary defines the term 'genius' as "exceptional intellectual or creative power or other natural ability". Although used far too often these days, John Williams REALLY is a genius and I thank him for the many years of great music he has given me (man and boy). Happy Birthday John ...and many more of them. More

Posted by melverley on Thursday February 9, 2012, 09:15

28 Favorite tunes that dont appear here
Visitor in San Diego (from Jurassic Park The Lost World): Pure adrenaline!!!! Dartmoor 1912 (From War Horse) The Battle of Hoth (do I need to tell you???) Dinner With Amelia (The Terminal) Sabrina's Theme (just BEAUTIFUL) Anakin's Dark Deeds (Episode III) EPIC of epic epicness!!!!!! Where Dreams Are Born (A.I) maybe the most BEAUTIFUL track he's ever written!!! i cant helpto cry EVERYTIME) Confluence (MEmoirs of a Geisha) perfect... just perfect in allthe extent of the word THE ENTIRE MEMOIRS OF A GEISHA, for me his best album EVER!!! Exsultate Justi (Empire Of The Sun) aleluyah!!!! Homesickness (The Terminal) Am I Beautiful? (Far& Away) Aunt Marge's Waltz (Azkaban) A Window To The Past (Azkaban) Dennis Steals The Embryo (Jurassic Park) The Trek (JP: The Lost World) Rescuing Sarah (JP: The Lost World) Ludlow's Demise (JP: The Lost World) Jango's Escape (Episode II) Princess Leia's Theme Luke And Leia Battle Of The Heroes (Episode III) The Battle Of Endor SaiMore

Posted by John Mulder Simpson on Thursday February 9, 2012, 08:36

29 RE: The Best Feature of 2012 so far!
It's been a long time since I posted here. but this feature is so good!!! I can't start to describe how much I love and admire John Williams, how grateful I am to live in his era (although he is 50 years older than me!!) For me it all began when i was 11 and watched Jurassic Park, now i have more than 40 albums and he never fails to surprise and move me. I owe him SO much! and this year he gave us War Horse, a magnificent and perfect album that is 100% Williams, god how I love that soundtrack!!!! I just can't pick a favorite of his, everything he's done is so close to perfection. man, to think of everything he's done and everything i haven't heard.... I posted a link to this feature on facebook, and i recommended it to everyone, let's all do the same so the whole world knows how lucky we are to have him!!!!!!! finally: OU VERY MUCH, MAESTRO, FOR YOUR ENDLESS AND RESTLESS TALENT, I LOVE YOU WITH ALL MY HEART!!!!!!!!!!!! More

Posted by John Mulder Simpson on Thursday February 9, 2012, 08:02

30 The Best Feature of 2012 so far!
Kudos Empire - this truly is a fitting feature for one of Cinema's most important figures. A film is nothing without it's music and it's Williams who fills that void so beautifully, so emotionally and so wonderfully. Rarely do pictures move me to tears, but a Williams score can have me sobbing like a 15 year-old girl watching The Notebook. More

Posted by haydonsmovies on Wednesday February 8, 2012, 12:10

31 Floods of Tears
Having sat and listened to all the excerpts and read this whole blog I am a total mess tears of joy and emotion on my face. The word genius is vastly overused about people with little more than mediocre talent at best, but in John William's case I think it doesn't even come close to describing him. He simply is the one of the greatest musicians and composers alive. More

Posted by mcmikeyboy on Wednesday February 8, 2012, 12:00

32 Great selection
The Witches of Eastwick, The Fury, Amazing Stories AND The Mission ? Dear Empire ... I'm impressed ! More

Posted by Dropje on Wednesday February 8, 2012, 11:58

33 Hook
One of my favorites must be "The Face of Pan", from the Hook soundtrack. Not very famous but still, simply beautiful. More

Posted by buffy_1008 on Wednesday February 8, 2012, 11:28

34 Great Feature
This has to be one of the best features you have ever done Empire, congratulations! Although justifiably, it could just be Williams' music that makes it so great! Happy birthday to one of the greatest composers we'll ever know. More

Posted by magikdethmonkey on Wednesday February 8, 2012, 11:24

35 A true poet and a genius
John WIlliams means more to me than any figure in either movies or music. Good feature Empire! More

Posted by mattpbrown on Wednesday February 8, 2012, 10:17

36 Wonderful Piece Empire
Written with real heart and knowledge. Big salute to Sir John! More

Posted by Blyman on Wednesday February 8, 2012, 10:10

37 Brings tear to the eye
What wonderful nostalgia. Skipping through decades of my emotional development through movies and Williams' music! So glad you mentioned the importance of Home Alone (it's our family's staple Xmas album). By the time we got to War Horse, that's it - I'm in pieces! Only snag is the general oversight of AI. Stored Memories/Monica's Theme is the most beautiful piece he wrote IMO (the slow beginning builds up to hauntingly beautiful & understated climax). And Catch Me If You Can, which has many great cues. But thanks Empire fo collating this for us. Made my day :-) More

Posted by oliraceking on Wednesday February 8, 2012, 10:04

38 Soundtrack of us
The importance of Williams as a greatest composer of our times - and I mean OUR - is confirmed simply by the grounds of those tracks. Just close your eyes and listen to them. And you can see the movies right there in your head. It's all you need. More

Posted by Pelle on Wednesday February 8, 2012, 09:24

39
that was amazing. thank you empire More

Posted by artaylor on Wednesday February 8, 2012, 05:43

40 Here's to another 80 years
Two disappointments were omissions of the last twenty minutes worth of empire strikes back. The reason that film is regarded as the best in the star wars franchise is its finale. The other is the prisoner of Azkaban there are at least twelve tracks worth mentioning. If you ever buy a Williams soundtrack buy these two I promise you its the best things he's done as an entire soundtrack since the first star wars a new hope 35 years ago. More

Posted by GrassyNol on Wednesday February 8, 2012, 00:49

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