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Feature
80 Reasons Why John Williams Is The Man
We mark the movie maestro's 80th birthday with a celebration of his classic pieces

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Out To Sea
First heard in: Jaws (1975)

As an entire score, Jaws is so much more than its trademark two-note theme, full of different textures and moods. To score the Orca pulling out of the Amity harbour to begin its sea quest (no DSV), Williams signals the start of adventure with a horn motif, then segues into part sea shanty/part Irish jig that is as playful as anything that Williams has ever created. When you compare this to some of the film's darker tones, it is this kind of range that won Williams his second Oscar.

Listen to an excerpt:


The Hunt
First heard in: Jurassic Park The Lost World (1997)

Eschewing the awe and wonder theme of the first movie, Williams signature tune for the JP sequel takes on the feel of an epic trek into a particularly dark jungle. It has a deliberate majesty in its Main Theme arrangement but Williams delivers an amped up version to cover Roland Tembo (Pete Postlethwaite) and his hi-tech hunting team on a dino safari, the driving drums, slapping percussion and manic strings adding real spirit and energy to the chase. A brutal, brilliant battering of the eardrums.

Listen to an excerpt:


The Tale Of Viktor Navorski
First heard in: The Terminal (2004)

Composing music for comedy is a tricky business. It can either be so brazenly dramatic that it plays as parody or it can be so light and jaunty it can quickly get irritating. Williams score for The Terminal, Spielberg's comedy about immigrant Viktor Navorski trapped in an airport after a coup in his homeland Krakhozia, is neither. Instead, Williams creates a score infused with cultured classicism, using a clarinet, accordion and guitar used to invoke Eastern European musical traditions and the immigrant experience. Viktor's theme is impish, innocent and spirited but never hokey. Williams also created a faux national anthem for Krakhozia, one of those dour Eastern European dirges that you only hear at the Olympic games, that is pitch perfect.

Listen to an excerpt:


Abandoned In The Woods
First heard in: A.I. Artificial Intelligence (2001)

Over the years, Williams has written numerous themes to depict child parent separation — some bittersweet (The Phantom Menace) some nightmarish (Close Encounters, Empire Of The Sun), some sweeping (Superman The Movie). But none of these themes capture the emotional anguish of parting than A.I. Artificial Intelligence. Under a string backdrop that rises and falls like tempestuous waves (glimpsed in the opening of the film), a pressing menacing melody amplifies the wrench as Monica (Frances O'Connor) dumps her 'robot son' David (Haley Joel Osment) in a forest rather than face certain destruction, discordant piano strikes heightening the unease. This is at the complete opposite end of the musical spectrum to something like Home Alone and his A.I. score is indicative of the sophistication Williams was developing as he moved into the noughties.

Listen to an excerpt:


Dry Your Tears, Afrika
First heard in: Amistad (1997)

The dialogue heavy Amistad, Steven Spielberg's slave mutiny drama, meant there was little place for Williams' music to count. Despite such restrictions, he still came up with a memorable score. To represent the African strands of the story, he tastefully employed regional African voices and instrumentation — the movie opens and closes with a haunting vocal that comes to represent Djimon Hounsou's Cinque. To illustrate John Quincy Adams and the American legal system, Williams uses noble brass and stately strings. The film's big anthem is Dry Your Tears, Afrika, a life affirming setting of a 1967 poem by Bernard Dadie that mixes 50 authentic voices with strident brass.

Listen to an excerpt:

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Have Your Say
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Your Comments

21 RE: At no point...
Best on line feature you have ever done Empire, please ensure this is always available to listen too, A true master at work. More

Posted by JIm R on Friday February 10, 2012, 21:06

22 At no point...
...in my life have i come so close to orgasm just from an Empire feature. More

Posted by Swedle on Friday February 10, 2012, 18:27

23 Final Duel mistake.......
When Luke comes out of hiding, after accidentally revealing Leia's paternity to Vader, he doesn't say "Nooooooo!", he defiantly yells "NEVER!!!" before ending the climactic duel... Interestingly enough, that bit of music was also used in the final duel in the Lucasarts game Jedi Knight II: Jedi Outcast. More

Posted by jws1272 on Thursday February 9, 2012, 17:56

24 Missed one!
You should've added 'A Window to the Past' from 'Harry Potter and the Prisoner of Azkaban' More

Posted by dimitrifiani on Thursday February 9, 2012, 12:40

25 The Greatest
Undoubtedly the greatest movie composer of all time. My only gripe with this list is the exclusion of The Lost World's main theme. I believe this is actually Spielberg's favourite piece from all the Jurassic Park music. http://www.youtube.com/watch?v=eb6Xk5p9MpQ& feature=related More

Posted by Ballschin on Thursday February 9, 2012, 12:17

26 FLASHMAN
He simply has no equal; nobody else has ever treated every-single film as though it was a first assignment that needed special attention, (unless you knew, how would you know that the guy who did Heartbeeps also did Jane Eyre and, his masterpiece, Superman?) and when he is inspired by what he sees, (most recently by War Horse) we are elated. More

Posted by Frank Comiskey on Thursday February 9, 2012, 10:52

27 The force is with him...
The Oxford English Dictionary defines the term 'genius' as "exceptional intellectual or creative power or other natural ability". Although used far too often these days, John Williams REALLY is a genius and I thank him for the many years of great music he has given me (man and boy). Happy Birthday John ...and many more of them. More

Posted by melverley on Thursday February 9, 2012, 09:15

28 Favorite tunes that dont appear here
Visitor in San Diego (from Jurassic Park The Lost World): Pure adrenaline!!!! Dartmoor 1912 (From War Horse) The Battle of Hoth (do I need to tell you???) Dinner With Amelia (The Terminal) Sabrina's Theme (just BEAUTIFUL) Anakin's Dark Deeds (Episode III) EPIC of epic epicness!!!!!! Where Dreams Are Born (A.I) maybe the most BEAUTIFUL track he's ever written!!! i cant helpto cry EVERYTIME) Confluence (MEmoirs of a Geisha) perfect... just perfect in allthe extent of the word THE ENTIRE MEMOIRS OF A GEISHA, for me his best album EVER!!! Exsultate Justi (Empire Of The Sun) aleluyah!!!! Homesickness (The Terminal) Am I Beautiful? (Far& Away) Aunt Marge's Waltz (Azkaban) A Window To The Past (Azkaban) Dennis Steals The Embryo (Jurassic Park) The Trek (JP: The Lost World) Rescuing Sarah (JP: The Lost World) Ludlow's Demise (JP: The Lost World) Jango's Escape (Episode II) Princess Leia's Theme Luke And Leia Battle Of The Heroes (Episode III) The Battle Of Endor SaiMore

Posted by John Mulder Simpson on Thursday February 9, 2012, 08:36

29 RE: The Best Feature of 2012 so far!
It's been a long time since I posted here. but this feature is so good!!! I can't start to describe how much I love and admire John Williams, how grateful I am to live in his era (although he is 50 years older than me!!) For me it all began when i was 11 and watched Jurassic Park, now i have more than 40 albums and he never fails to surprise and move me. I owe him SO much! and this year he gave us War Horse, a magnificent and perfect album that is 100% Williams, god how I love that soundtrack!!!! I just can't pick a favorite of his, everything he's done is so close to perfection. man, to think of everything he's done and everything i haven't heard.... I posted a link to this feature on facebook, and i recommended it to everyone, let's all do the same so the whole world knows how lucky we are to have him!!!!!!! finally: OU VERY MUCH, MAESTRO, FOR YOUR ENDLESS AND RESTLESS TALENT, I LOVE YOU WITH ALL MY HEART!!!!!!!!!!!! More

Posted by John Mulder Simpson on Thursday February 9, 2012, 08:02

30 The Best Feature of 2012 so far!
Kudos Empire - this truly is a fitting feature for one of Cinema's most important figures. A film is nothing without it's music and it's Williams who fills that void so beautifully, so emotionally and so wonderfully. Rarely do pictures move me to tears, but a Williams score can have me sobbing like a 15 year-old girl watching The Notebook. More

Posted by haydonsmovies on Wednesday February 8, 2012, 12:10

31 Floods of Tears
Having sat and listened to all the excerpts and read this whole blog I am a total mess tears of joy and emotion on my face. The word genius is vastly overused about people with little more than mediocre talent at best, but in John William's case I think it doesn't even come close to describing him. He simply is the one of the greatest musicians and composers alive. More

Posted by mcmikeyboy on Wednesday February 8, 2012, 12:00

32 Great selection
The Witches of Eastwick, The Fury, Amazing Stories AND The Mission ? Dear Empire ... I'm impressed ! More

Posted by Dropje on Wednesday February 8, 2012, 11:58

33 Hook
One of my favorites must be "The Face of Pan", from the Hook soundtrack. Not very famous but still, simply beautiful. More

Posted by buffy_1008 on Wednesday February 8, 2012, 11:28

34 Great Feature
This has to be one of the best features you have ever done Empire, congratulations! Although justifiably, it could just be Williams' music that makes it so great! Happy birthday to one of the greatest composers we'll ever know. More

Posted by magikdethmonkey on Wednesday February 8, 2012, 11:24

35 A true poet and a genius
John WIlliams means more to me than any figure in either movies or music. Good feature Empire! More

Posted by mattpbrown on Wednesday February 8, 2012, 10:17

36 Wonderful Piece Empire
Written with real heart and knowledge. Big salute to Sir John! More

Posted by Blyman on Wednesday February 8, 2012, 10:10

37 Brings tear to the eye
What wonderful nostalgia. Skipping through decades of my emotional development through movies and Williams' music! So glad you mentioned the importance of Home Alone (it's our family's staple Xmas album). By the time we got to War Horse, that's it - I'm in pieces! Only snag is the general oversight of AI. Stored Memories/Monica's Theme is the most beautiful piece he wrote IMO (the slow beginning builds up to hauntingly beautiful & understated climax). And Catch Me If You Can, which has many great cues. But thanks Empire fo collating this for us. Made my day :-) More

Posted by oliraceking on Wednesday February 8, 2012, 10:04

38 Soundtrack of us
The importance of Williams as a greatest composer of our times - and I mean OUR - is confirmed simply by the grounds of those tracks. Just close your eyes and listen to them. And you can see the movies right there in your head. It's all you need. More

Posted by Pelle on Wednesday February 8, 2012, 09:24

39
that was amazing. thank you empire More

Posted by artaylor on Wednesday February 8, 2012, 05:43

40 Here's to another 80 years
Two disappointments were omissions of the last twenty minutes worth of empire strikes back. The reason that film is regarded as the best in the star wars franchise is its finale. The other is the prisoner of Azkaban there are at least twelve tracks worth mentioning. If you ever buy a Williams soundtrack buy these two I promise you its the best things he's done as an entire soundtrack since the first star wars a new hope 35 years ago. More

Posted by GrassyNol on Wednesday February 8, 2012, 00:49

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