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Feature
80 Reasons Why John Williams Is The Man
We mark the movie maestro's 80th birthday with a celebration of his classic pieces

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Incident At Isla Nublar
First heard in: Jurassic Park (1993)

This is the kind of suspense cum action cue that Williams excels. A shifting snaking sinuous string motif that ebbs and flow, it is used to represent desperation stations in the park, be it dino-related — this version covers raptor action — or human-centric — a more elaborate take sees it cross cut between Alan Grant and the kids climbing the electric fence while Ellie Sattler labours to turn the electricity on. It's great to the ear but an assault on the nervous system.

Listen to an excerpt:


Barry's Kidnapping
First heard in: Close Encounters Of The Third Kind (1977)

For many Williams greatest skill is his knack for coming up with accessible tunes that audiences can whistle leaving the cinema. Yet he is equally adept at creating the polar opposite, troubling atonal colours that are usually the province of avant-garde classical concert halls. It's a technique Williams frequently uses in the Indiana Jones movies to suggest scary animals — listen to the strings in the Well Of Souls — but it gets perhaps its most extreme example in Close Encounters. As aliens descend to abduct little Barry Guiler (Cary Guffey), the house goes ape-shit, the record player turning on (playing Chances Are by Johnny Mathis), the hoover coming alive and the floor vent screws slowly unscrewing themselves. Williams enhances the terror with full-on orchestral and choral tumult, the ensemble churning, rumbling, ascending and stinging for all they're worth. This is what it must sound like inside David Lynch's head.

Listen to an excerpt:


The Basket Game
First heard in: Raiders Of The Lost Ark (1981)

Back to Indy. In the liner notes for the Raiders soundtrack, Steven Spielberg suggests that all Indiana Jones had to do survive the perils of his adventure was to listen to John Williams score — "it's sharp rhythms told him when to run, it's slicing strings told him when to duck." It's a meta idea and nowhere is it clearer than during Egyptian bazaar dust up: as Indy sees off Arab ambushers, a lively light-hearted motif accents the choreography of the fight, upping the fun factor without ever diluting the excitement. It is the first sketch for a kind of playful action cue that would recur in the likes of Harry Potter.

Listen to an excerpt:


Isobel's Horse And Buggy
First heard in: Stepmom (1998)

Producing one of his most restrained scores — also see Stanley And Iris, The Accidental Tourist and Always — Williams replaced original composer Patrick Doyle (both later worked on Harry Potter) to soundtrack Chris Columbus' sudsy drama about the rival between Ed Harris' new girlfriend Julia Roberts and his dying ex-wife Susan Sarandon. The dominant mood is an airy orchestral score augmented by Christopher Parkening's classical guitar, but the standout is a catchy little scherzo that has hints of a hoedown. It's proof that even when the film isn't fantastic, you can rely on Williams to deliver the goods.

Listen to an excerpt:


The Catamaran Race
First heard in: Jaws 2 (1978)

There are soundtrack experts who argue that Williams score for the Jeannot Szwarc's fin de sequel is a more enjoyable listening experience than his Oscar winning music for the first one. Perhaps because the film is populated with teens, Williams gives the above-the-water music lots of pep, his music for the Catamaran race fizzes along on joyous brass, seemingly skimming through the water at a rapid rate of knots. And the next time it is on late on ITV 1, try and stay awake for the end credits music — it's really lovely.

Listen to an excerpt:

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Have Your Say
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Your Comments

21 RE: At no point...
Best on line feature you have ever done Empire, please ensure this is always available to listen too, A true master at work. More

Posted by JIm R on Friday February 10, 2012, 21:06

22 At no point...
...in my life have i come so close to orgasm just from an Empire feature. More

Posted by Swedle on Friday February 10, 2012, 18:27

23 Final Duel mistake.......
When Luke comes out of hiding, after accidentally revealing Leia's paternity to Vader, he doesn't say "Nooooooo!", he defiantly yells "NEVER!!!" before ending the climactic duel... Interestingly enough, that bit of music was also used in the final duel in the Lucasarts game Jedi Knight II: Jedi Outcast. More

Posted by jws1272 on Thursday February 9, 2012, 17:56

24 Missed one!
You should've added 'A Window to the Past' from 'Harry Potter and the Prisoner of Azkaban' More

Posted by dimitrifiani on Thursday February 9, 2012, 12:40

25 The Greatest
Undoubtedly the greatest movie composer of all time. My only gripe with this list is the exclusion of The Lost World's main theme. I believe this is actually Spielberg's favourite piece from all the Jurassic Park music. http://www.youtube.com/watch?v=eb6Xk5p9MpQ& feature=related More

Posted by Ballschin on Thursday February 9, 2012, 12:17

26 FLASHMAN
He simply has no equal; nobody else has ever treated every-single film as though it was a first assignment that needed special attention, (unless you knew, how would you know that the guy who did Heartbeeps also did Jane Eyre and, his masterpiece, Superman?) and when he is inspired by what he sees, (most recently by War Horse) we are elated. More

Posted by Frank Comiskey on Thursday February 9, 2012, 10:52

27 The force is with him...
The Oxford English Dictionary defines the term 'genius' as "exceptional intellectual or creative power or other natural ability". Although used far too often these days, John Williams REALLY is a genius and I thank him for the many years of great music he has given me (man and boy). Happy Birthday John ...and many more of them. More

Posted by melverley on Thursday February 9, 2012, 09:15

28 Favorite tunes that dont appear here
Visitor in San Diego (from Jurassic Park The Lost World): Pure adrenaline!!!! Dartmoor 1912 (From War Horse) The Battle of Hoth (do I need to tell you???) Dinner With Amelia (The Terminal) Sabrina's Theme (just BEAUTIFUL) Anakin's Dark Deeds (Episode III) EPIC of epic epicness!!!!!! Where Dreams Are Born (A.I) maybe the most BEAUTIFUL track he's ever written!!! i cant helpto cry EVERYTIME) Confluence (MEmoirs of a Geisha) perfect... just perfect in allthe extent of the word THE ENTIRE MEMOIRS OF A GEISHA, for me his best album EVER!!! Exsultate Justi (Empire Of The Sun) aleluyah!!!! Homesickness (The Terminal) Am I Beautiful? (Far& Away) Aunt Marge's Waltz (Azkaban) A Window To The Past (Azkaban) Dennis Steals The Embryo (Jurassic Park) The Trek (JP: The Lost World) Rescuing Sarah (JP: The Lost World) Ludlow's Demise (JP: The Lost World) Jango's Escape (Episode II) Princess Leia's Theme Luke And Leia Battle Of The Heroes (Episode III) The Battle Of Endor SaiMore

Posted by John Mulder Simpson on Thursday February 9, 2012, 08:36

29 RE: The Best Feature of 2012 so far!
It's been a long time since I posted here. but this feature is so good!!! I can't start to describe how much I love and admire John Williams, how grateful I am to live in his era (although he is 50 years older than me!!) For me it all began when i was 11 and watched Jurassic Park, now i have more than 40 albums and he never fails to surprise and move me. I owe him SO much! and this year he gave us War Horse, a magnificent and perfect album that is 100% Williams, god how I love that soundtrack!!!! I just can't pick a favorite of his, everything he's done is so close to perfection. man, to think of everything he's done and everything i haven't heard.... I posted a link to this feature on facebook, and i recommended it to everyone, let's all do the same so the whole world knows how lucky we are to have him!!!!!!! finally: OU VERY MUCH, MAESTRO, FOR YOUR ENDLESS AND RESTLESS TALENT, I LOVE YOU WITH ALL MY HEART!!!!!!!!!!!! More

Posted by John Mulder Simpson on Thursday February 9, 2012, 08:02

30 The Best Feature of 2012 so far!
Kudos Empire - this truly is a fitting feature for one of Cinema's most important figures. A film is nothing without it's music and it's Williams who fills that void so beautifully, so emotionally and so wonderfully. Rarely do pictures move me to tears, but a Williams score can have me sobbing like a 15 year-old girl watching The Notebook. More

Posted by haydonsmovies on Wednesday February 8, 2012, 12:10

31 Floods of Tears
Having sat and listened to all the excerpts and read this whole blog I am a total mess tears of joy and emotion on my face. The word genius is vastly overused about people with little more than mediocre talent at best, but in John William's case I think it doesn't even come close to describing him. He simply is the one of the greatest musicians and composers alive. More

Posted by mcmikeyboy on Wednesday February 8, 2012, 12:00

32 Great selection
The Witches of Eastwick, The Fury, Amazing Stories AND The Mission ? Dear Empire ... I'm impressed ! More

Posted by Dropje on Wednesday February 8, 2012, 11:58

33 Hook
One of my favorites must be "The Face of Pan", from the Hook soundtrack. Not very famous but still, simply beautiful. More

Posted by buffy_1008 on Wednesday February 8, 2012, 11:28

34 Great Feature
This has to be one of the best features you have ever done Empire, congratulations! Although justifiably, it could just be Williams' music that makes it so great! Happy birthday to one of the greatest composers we'll ever know. More

Posted by magikdethmonkey on Wednesday February 8, 2012, 11:24

35 A true poet and a genius
John WIlliams means more to me than any figure in either movies or music. Good feature Empire! More

Posted by mattpbrown on Wednesday February 8, 2012, 10:17

36 Wonderful Piece Empire
Written with real heart and knowledge. Big salute to Sir John! More

Posted by Blyman on Wednesday February 8, 2012, 10:10

37 Brings tear to the eye
What wonderful nostalgia. Skipping through decades of my emotional development through movies and Williams' music! So glad you mentioned the importance of Home Alone (it's our family's staple Xmas album). By the time we got to War Horse, that's it - I'm in pieces! Only snag is the general oversight of AI. Stored Memories/Monica's Theme is the most beautiful piece he wrote IMO (the slow beginning builds up to hauntingly beautiful & understated climax). And Catch Me If You Can, which has many great cues. But thanks Empire fo collating this for us. Made my day :-) More

Posted by oliraceking on Wednesday February 8, 2012, 10:04

38 Soundtrack of us
The importance of Williams as a greatest composer of our times - and I mean OUR - is confirmed simply by the grounds of those tracks. Just close your eyes and listen to them. And you can see the movies right there in your head. It's all you need. More

Posted by Pelle on Wednesday February 8, 2012, 09:24

39
that was amazing. thank you empire More

Posted by artaylor on Wednesday February 8, 2012, 05:43

40 Here's to another 80 years
Two disappointments were omissions of the last twenty minutes worth of empire strikes back. The reason that film is regarded as the best in the star wars franchise is its finale. The other is the prisoner of Azkaban there are at least twelve tracks worth mentioning. If you ever buy a Williams soundtrack buy these two I promise you its the best things he's done as an entire soundtrack since the first star wars a new hope 35 years ago. More

Posted by GrassyNol on Wednesday February 8, 2012, 00:49

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