Register  |   Log In  |  
Sign up to our weekly newsletter    
Search   
Empire Magazine and iPad
Follow Me on Pinterest YouTube Tumblr
Empire
Trending On Empire
Star Wars: The Force Awakens Teaser Trailer
The Farewell To Middle-earth Issue
Review Of The Year 2014
Subscribe: Get 12 Issues For £25
Buy the perfect Christmas present this year
Farewell To Middle-earth
Full details of our Peter Jackson-edited issue
Feature
Indiana Jones And Me: George Lucas
The man who came up with it all on how he came up with it all

submit to reddit

This article first appeared in issue 227 of Empire magazine. Subscribe to Empire today.

PORTRAITS: SARAH DUNN

WORDS GEORGE LUCAS
1
  1 of 1  

George Lucas

It’s hard to define exactly why Indy’s remained so popular for so long. I’d love to claim that we had the formula for success hidden away somewhere, but that’s just not the case. Were were making movies that we wanted to see, and we were having fun doing it.

Raiders Of The Lost Ark was designed to be entertaining. Of course, I realize that all movies try to be entertaining on one level or another. But with Raiders, entertainment was our explicit focus and sole objective. We wanted to make a roller-coaster ride that hearkened back the serials of the 1930s – something big, fast and fun.

That started right up front, from the way the movie opened. The story was already in full swing; the audience had to run to catch up and get on board, because it was a speeding train and that was the effect we wanted. Indy’s world was in motion. Indy himself was lived in. He always looked like he was just coming off some other great adventure, like he never slowed down to catch his breath.

From the moment we first met him in Raiders, it was clear that Indy was hero who was used to this kind of thing. Steven, Larry and I wanted the audience to follow him willingly into dark caves filled with spiders and booby traps and who-know-what-else. It didn’t matter why he was going into those caves, just that he was going - whether anyone went with him or not. We wanted to convey his confidence and give the character enough self-assurance that he would make the audience feel comfortable and slightly off-balance, all at the same time.

Indy also captured the classic duality of a modern hero: the ‘secret identity’. Dr. Henry Jones is really just a regular guy – a mild-mannered college professor by day, wearing glasses and tweed coats. But he also has an ability to transform himself into a rugged, globetrotting adventurer, to become Indiana Jones.

George Lucas
"Doom was definitely an experiment, and some people had a really visceral reaction to that."
Steven Spielberg
He puts away the spectacles, packs the fedora and whip, and he’s off to exotic lands. That’s really what we wanted Indy to be – and ‘Everyman’ version of James Bond. We were almost using a cultural short-hand building Indy out of these superhero traditions, and yet grounding him with weaknesses that made him identifiable. It’s those weaknesses that make him different, and his desperation that makes Indy so much fun. He’s a great hero, but much of the time he’s stumbling around trying to stay alive.

That’s where Harrison came in. He was perfect for the role, partly because after he came on board, the role was essentially written for him. Of course, I’d worked with him before on Star Wars and American Graffiti, and we’d gotten along really well. I knew I wanted a certain type for Indy, and Harrison for that type through and through. At the time, though, we’d rebelled against the idea of using him again, even though he’d been the template for Indy in lot of ways. I’d used him twice already, and I thought we should try for something new and different. But reason prevailed, and we went with Harrison. And, of course, he nailed it. More than that, he got it. He saw what Steven and I wanted for the character, and the way he played Indy helped us define that even further. Harrison is Indiana Jones, and once we knew how perfect he’d be, we could focus on telling the story around him.

So, we had our hero and we had our story. We had this concept of a throwback to the serials of the 1930s. We had the roller-coaster tone, and we certainly had high hopes that it would all come together into something really special. It worked on an emotional level that enhance the thrills, and I knew that, at its core, it was a really good movie. There wasn’t anything really like Raiders at the time, and we were all fairly confident that we’d have a success with it. It was the first time I’d worked on something that I knew would be a hit. But, still, everyone was surprised by just how well audiences responded.

Making it was the sort of experience you always hope you’ll have but rarely do. Working with Steven was something I had always wanted to do; we were friends, first and foremost, and even through our careers were very different, we shared a lot of common ground. We both wanted to make the movies we wanted to see. Really, everyone on the movie shared a similar vision for this new kind of adventure. And because of I was the executive producer, I was able to remain closely involved, without having to deal with all the pressures of directing. I was more than happy to let Steven deal with those. So the whole process itself was really enjoyable, and the film’s success was just the icing on the cake.

Success is a good thing in a lot of ways, especially because it gives us the freedom to do more. Raiders allowed us to make Doom, and Doom allowed us to try something different, to take Indy in a much darker direction. It was definitely an experiment, and some people had a really visceral reaction to that. But I’ve found it’s impossible to make something for everyone, so the best I can do is make the movie I want to make. We were trying to find something new and interesting with the concept, because there’s no point in doing the same thing again.

In Last Crusade, the experiment was to add in this father/son aspect that was totally different from anything we’d seen in the previous two films. It wasn’t clear that the whole thing was even going to work, and then Steven brought in Sean Connery and things really started to click. He was great, and Steven in particular was really excited to about having him on board. In a lot of ways, the Indiana Jones movies were always intended as James Bond homages, and the we got James Bond himself to show up to be part of our project! It was a huge thrill for us at the time, and with all the enthusiasm around it, that relationship really took on a life of its own.

Ultimately, I think that’s what makes Indy endure. We all love making these moves, and we wouldn’t be doing them if we didn’t feel like we could bring something new to each one. From the beginning we’ve had fun trying to come up with ways to surprise people. As long as we can keep ourselves entertained, I think and I hope the audience will come along for the ride.


« Back To Indy Hub
Head back to our Indy hub for more exclusive features and interviews celebrating all four Indiana Jones movies.
Empire Magazine
For the best movie coverage every month, make sure you subscribe to Empire magazine - also available to download on iPad.

1
 
1 of 1
 

Have Your Say
Register or login now to let us know what you think.

SUBSCRIPTION OFFERS

SAVE UP TO 69% GET 12 ISSUES FOR ONLY £25
Get the best seat in the house by subscribing to the world's biggest movie magazine today. Save up to 69% and every month you'll get exclusive subscriber-only covers, access to the biggest stars and the best news, reviews and behind-the-scenes reports straight from the set. Click here to find the perfect offer for you


CURRENT HIGHLIGHTS
The 15 Most Memorable Character Deaths Of The Year
2014’s RIP honour roll

Review Of The Year: 10 Best Soundtracks Of 2014
The scores and OSTs to add to your playlist

Watch: Night At The Museum's Cast Share Their Favourite Robin Williams Performance
Ben Stiller, Owen Wilson and Ben Kingsley pay tribute to the actor

Watch: Jack O'Connell And Luke Treadaway Talk Unbroken
On POWs, panto and how to name your bomber

Review Of 2014: The 15 Best Cameos Of The Year
Our favourite one-scene movie-stealers

8 Things You Can Learn From The BFI's Star Wars Exhibition
The original crawl, a 'grotesque' villain and a very different princess

Review Of The Year: 40 Worst Posters Of 2014
One-sheets that you'd rather not have on your wall

Subscribe to Empire magazine
Get 12 Issues Of Empire For Only £25!

Get exclusive subscriber-only covers each month!

Subscribe today

Subscribe to Empire iPad edition
Get The Empire iPad Edition Today

Subscribe and save maney on annual digital subscription

Subscribe today
Buy single issues

Get 12 issues of Empire for just £25!
Get exclusive subscriber-only covers each month Subscribe today!
Empire's Film Studies 101 Series
Everything you ever wanted to know about filmmaking but were afraid to ask...
The Empire iPad Edition
With exclusive extras, interactive features, trailers and much more! Download now
Home  |  News  |  Blogs  |  Reviews  |  Future Films  |  Features  |  Interviews  |  Images  |  Competitions  |  Forum  |  iPad  |  Podcast  |  Magazine Contact Us  |  Empire FAQ  |  Subscribe To Empire  |  Register
© Bauer Consumer Media Ltd  |  Legal Info  |  Editorial Complaints  |  Privacy Policy  |  Bauer Entertainment Network
Bauer Consumer Media Ltd (company number 01176085 and registered address 1 Lincoln Court, Lincoln Road, Peterborough, England PE1 2RF)