Register  |   Log In  |  
Sign up to our weekly newsletter    
Search   
Empire Magazine and iPad
Follow Me on Pinterest YouTube Tumblr
Empire
Trending On Empire
The Future Of Film
The 100 Greatest Video Games
The Making Of The West Wing
Subscribe To Empire Today
Save money and get 12 issues for only £25
Go Think Big
Helping young people achieve their career dreams
Feature
Miyazaki On Miyazaki: The Animation Genius On His Movies
From Lupin to Ponyo: A look back at the films of Studio Ghibli

submit to reddit

1 2 3 4 5
Back 2 of 5 Next

Lupin The III: The Castle Of Cagliostro (1979)

Miyazaki’s cinematic debut stands apart from the bulk of his work, given it’s his only movie as, effectively, a director-for-hire. Not a sequel, rather a feature spin-off of TV show Lupin The 3rd (itself derived from Monkey Punch’s comic book, or manga), on which Miyazaki worked, the film follows the continuing misadventures of the titular rogue — grandson of Maurice Leblanc’s Arsène — as he embroils himself in the affairs of the nefarious Duke Of Cagliostro. While this enthusiastic, irreverent romp doesn’t feel like ‘pure’ Miyazaki, it does revel in its Riviera setting, displaying a love for European architecture and landscape that’s since defined much of his work (Laputa: Castle In The Sky, Porco Rosso, Howl’s Moving Castle).

Lupin The III: The Castle Of Cagliostro

Miyazaki on Miyazaki “Actually, I didn’t know European landscapes and architecture very well back then. So inside the castle I set myself a rule: always try to make the same space come up twice. If the character goes there once, then the character will go back to the same place again. It was like a game, and that was how I created the setting: ‘Here’s two lakes, a castle, there’s a Roman aqueduct...’ And then I thought, ‘Yes, now I can make a film on this!’ I just wish that I could have done it much, much better!”

Laputa: Castle In The Sky (1986)

Miyazaki’s third feature, and Ghibli’s first, is a high-flying adventure set in an alternative-reality steampunk 19th century England where the stratosphere is home to comical sky pirates, flying robots and — spot the Swift reference — mysterious floating castles. Its cult appeal runs deep yet it was not a big success, something Miyazaki feels is down to the fact he chose a young boy from a mining village (Pazu) to be its hero. Almost every Miyazaki protagonist since has been female.

Laputa: Castle In The Sky

Laputa: Castle In The SkyMiyazaki on Miyazaki “I wanted to make an adventure story with the kind of boy hero who starts out fighting and has a lot of dreams. And I was able to confirm that people don’t come to see that kind of film! After time, a lot of people started saying, ‘I love Laputa,’ but at the theatrical release it didn’t attract much of an audience. A male is recognised as an adult when he has a job, an occupation. For a woman, her physical presence itself makes her a character, but a man needs to have this social occupation or some kind of status, or some kind of fate — something that you can’t see. So with a labourer child like Pazu, it was very hard to draw the audience to the cinema. I wish I could make another film with an eight or nine year-old boy hero. Boys, they sometimes end up with a tragic existence in this world. It’s a very hard, tough place for boys to live now.”

Nausicaä Of The Valley of The Wind (1984)

Based on Miyazaki’s own complex manga (which he didn’t finish until 1994!), Nausicaä is a remarkable work, set in a post-apocalyptic world swathed in poisonous gas, the bickering remnants of humanity sharing the Earth with giant insectoids. It’s eerily beautiful, with a powerful, young female lead character — now a Miyazaki mainstay — and is not the last of his films to resound with a clear environmental message (the mercury-pollution of Minamata Bay was his main inspiration). Sadly, its rough treatment by its American distributor, which slashed the running time and renamed it Warriors Of The Wind, meant it remained largely undiscovered abroad, making Miyazaki and his producer, Toshio Suzuki, deeply sceptical about foreign treatment of their works.

Nausicaä Of The Valley of The Wind

Miyazaki on Miyazaki “The original manga was written when I had no job in animation — I had a lot of time to myself, so I tried to make a comic that couldn’t be made into animation. And then later I had to make it into a film, so I was in deep trouble! There were a lot of things I just didn’t know how to do back then, how to make it work. But I still had to make it.

“Why did the lead character have to be female? Well, it doesn’t look truthful if the guy has power like that! Women are able to straddle both the real world and the other world — like mediums. In the oldest form of the Cinderella story, she was able to travel freely to the other world through the hearth: that’s what empowered her. It isn’t the swordplay that Nausicäa is good at, it’s that she understands both the human world and the insect world. No animals feel danger in approaching her; she’s able to totally erase her sense of presence, existence. Males, they are aggressive, only in the human sphere — very shallow! (Laughs) So it had to be a female character.”

1 2 3 4 5
Back
2 of 5
Next

Have Your Say
Register or login now to let us know what you think.

Your Comments

1
i love all of his movies and every other movie from Studio GHIBLI. Miyazaki Hayao is GOD! More

Posted by mbembet on Wednesday August 3, 2011, 15:21

2 Errors spotted!
The films are in the wrong order, makes the reading slightly confused. Please consider fixing this... great interview though! More

Posted by La Mouche on Saturday July 30, 2011, 13:36

3 One Of The Best Directors In The World...
.... never mind just in animation. It's a crime that Miyazaki is still so underrated in the west - he should be a household name the world over. Ghibli and Miyazaki are responsible for many of my favourite films, like Totoro, Kiki's, Porco Rosso, Spirited Away... just all fantastic stuff. More

Posted by Artoo02 on Thursday July 28, 2011, 23:32

4
I have seen every one of these films (excluding Tales of Earthsea and Ocean Waves) multiple times, and every one of them is extraordinarily fantastic in its own way. The only movie I did not like was Pom Poko, but the rest of them are outstanding. More

Posted by seankeating0816 on Thursday July 28, 2011, 23:16

5 Thank you Empire
excellent read and well put together. Please disable the ability to comment as to avoid fanboys, useless flaming, adverts and brown-nosers such as myself. More

Posted by hemibell on Thursday July 28, 2011, 21:28

6
Studio Ghibli have done more than 11 films, just saying. More

Posted by kylereborn on Thursday July 28, 2011, 20:51

SPECIAL FEATURE
The 301 Greatest Movies Of All Time EMPIRE READERS' POLL: THE 301 GREATEST MOVIES OF ALL TIME
You turned out in your hundreds and thousands, and here are the results... Browse the full list


CURRENT HIGHLIGHTS
The Empire Podcast #133: Robert Duvall, Anna Faris And James Marsden Interviews
Plus the team discuss the latest news on the upcoming DC and Marvel movies

Documentaries: What Happened Next
We track down and interview the stars of great non-fiction films

Movie Poster Mashups: Sean Bean Edition
You'll laugh, you'll cry, you'll be appalled at the punning...

Your Introductory Guide To That DC Movie Slate
Suicide Squad? Cyborg? Aquaman? We explain who’s who in the DC Universe

Video Interviews: Megan Fox And Will Arnett Talk Teenage Mutant Ninja Turtles
Plus the director and producers on the tone of their new turtle flick

Captain America 3, Iron Man And Civil War: Where Next For The Marvel Cinematic Universe?
What to make of today's Marvel news

Interactive Gallery: Explore Iconic Movie Spacesuits
Explore the fabric of space-time

Subscribe to Empire magazine
Get 12 Issues Of Empire For Only £25!

Get exclusive subscriber-only covers each month!

Subscribe today

Subscribe to Empire iPad edition
Get The Empire iPad Edition Today

Subscribe and save money on annual digital subscription

Subscribe today
Buy single issues

Get 12 issues of Empire for just £25!
Get the world's greatest movie magazine delivered straight to your door! Subscribe today!
Empire's Film Studies 101 Series
Everything you ever wanted to know about filmmaking but were afraid to ask...
The Empire iPad Edition
With exclusive extras, interactive features, trailers and much more! Download now
Home  |  News  |  Blogs  |  Reviews  |  Future Films  |  Features  |  Interviews  |  Images  |  Competitions  |  Forum  |  iPad  |  Podcast  |  Magazine Contact Us  |  Empire FAQ  |  Subscribe To Empire  |  Register
© Bauer Consumer Media Ltd  |  Legal Info  |  Editorial Complaints  |  Privacy Policy  |  Bauer Entertainment Network
Bauer Consumer Media Ltd (company number 01176085 and registered address 1 Lincoln Court, Lincoln Road, Peterborough, England PE1 2RF)