The A To Z Of Michael Mann Public Enemies sees the return of Michael Mann with a typically stylish and finely-detailed gangster epic . To mark its release we've embarked an alphabetic jaunt through the tropes and traits that make him one of cinema's true auteurs. Welcome to Mikepedia.
Like Heat’s iconic coffee-shop showdown, Vincent’s visit to Collateral’s modernist jazz club is a classic Mann set-piece, crackling with tension and subtext. Vincent toys with his next victim, a jovial jazz club owner, as the man blusters out an unconvincing tale about meeting Miles Davis. We, and Jamie Foxx’s bewildered cabbie, are left disorientated as false bonhomie turns to blank-eyed menace and the man is offered an impromptu Davis quiz to save his life. The scene combines two of Mann’s loves - jazz and acute detail (Davis’ ‘Spanish Key’ riffs out in the background) – and if there are shades of it in Chigurh’s exchange with No Country’s garage owner, it may not be coincidental: Javier Bardem, of course, is Collateral’s sinister drug lord.
Posted on Thursday July 16, 2009, 13:47 by shirleyxu45
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RE: Tut, tut and thrice tut
Posted on Monday July 6, 2009, 10:25 by eanraig_macpatrick
Feck me! You've done it again! It's there in the 'D' section as well! Sort it out, lads! *shakes head sadly* Read More
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RE: Tut, tut and thrice tut
Posted on Monday July 6, 2009, 10:21 by eanraig_macpatrick
Oops! It was in section 'A', not number 10 (wtf??!!)
Perhaps I'll see ]you later, instead *blushes* Read More
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RE: Indigo
Posted on Friday July 3, 2009, 21:10 by odddaze
Not a big fan of the Mann, whilst Heat, Collateral, The Insider & Manhunter are all great, Ali, Miami Vice (whichis a terrible, terrible movie) and Public Enemies really aren't all that, they are slow, dull and unfufilling. All well made, but just not all that great. Read More
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RE: Indigo
Posted on Friday July 3, 2009, 12:33 by uheiberg
it is, they messed up, as they do from time to time. but that is s pretty big mistake to make if you ask me Read More