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Buffalo '66 (1998)
Get it straight - Vincent Gallo doesn't give a fuck what you think about his movie. It's brilliant, and if you can't see that then it's your own tough luck. He's so fiercely independent he uses Yes on the soundtrack. And you know what? He's absolutely right. This film is a mini masterpiece. Using only a small but highly talented crew and cast, he bombards us with belligerent, unlikeable characters for 100-odd minutes, and manages to make the most saccharine of endings - about the power of love, of all things - appetising. A beautifully balanced debut from a precocious talent - surely what indie is all about?
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THX-1138 (1971)
Before there was Star Wars, George Lucas made this dystopian vision of a future in a galaxy quite close by. Robert Duvall plays the eponymous THX-1138, a worker in a society where sex is outlawed and drugs used to control the populace, who rebels and begins the search for a better life. What's remarkable in this film are the visuals - the sterile, almost colourless world and menacing robot police provide a stark backdrop for the increasingly passionate feelings of the central characters. Lucas' visions may have become bigger and more colourful as he developed his career, but nothing since has mixed intellectual debate and action so effectively.
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