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Under The RadarNight Visions 2012: Silje Reinamo and Thale

Posted on Sunday November 4, 2012, 14:39 by Owen Williams in Under The Radar
Night Visions 2012: Silje Reinamo and Thale

Home-grown Scandinavian films are in relatively short supply at this year’s Night Visions in Helsinki: the Audience Award went to Dredd (although it was a close call between that and Bobcat Goldthwait's excellent God Bless America). One of the very best films of the festival however, is the beautifully enigmatic and eerie Norwegian entry Thale [tah-lay], directed by Aleksander Nordaas and starring Silje Reinåmo.

It’s the story of a forest sprite who’s been kept separated from her kind for some years, until the death of her human guardian and the arrival at her cabin-in-the-woods of Erlend Nervold and Jon Sigve Skard: a dryly hum...

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Under The RadarNight Visions 2012: Juan Martinez Moreno and Attack of the Werewolves

Posted on Saturday November 3, 2012, 14:26 by Owen Williams in Under The Radar
Night Visions 2012: Juan Martinez Moreno and Attack of the Werewolves


A couple of weeks ago, you may have noticed a DVD called Attack of the Werewolves sneak, unheralded, onto the lower shelves of your local supermarket. If you immediately dismissed it, given that unprepossessing straight-to-video debut and its underwhelming cover, nobody could blame you. But you’re missing out, because Attack of the Werewolves – re-titled in the UK from Lobos De Arga (Wolves of Arga), and playing gangbusters to super-enthusiastic Night Visions audiences under its American moniker A Game of Werewolves - is in fact a great little Spanish-language horror comedy that’s well worth ninety minutes of your time.

There’s a section in Laurie Lee’s Cider With Rosie where a man leaves his village and makes his successful way in the world. He returns home years later, and they kill him...

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Under The RadarNight Visions 2012: The Paperboy & The ABCs of Death

Posted on Friday November 2, 2012, 11:38 by Owen Williams in Under The Radar



In context, the biggest mystery in the slow burning, slightly mental literary crime tale The Paperboy is why it's playing at this festival. Lee Daniel's directorial follow-up to Precious, starring Zac Efron, Matthew McConaughey, Nicole Kidman and John Cusack, isn't an obvious fit for its horror surroundings, but by the end, in all its deep-south, swamp-gothic murder melodrama, it just about starts to make sense.

Regardless of where it's playing, it's a more-or-less worthwhile, atmospheric film. It feels self-consciously 'quality', but it's not as hammer-blow heavy-handed as Precious, its sultry southern atmosphere is effectively oppressive, and the performances are all-round pretty good, although it's hard to quite take Kidman as white-trash intent on marrying her prison-inmate penpal. Efron takes his shirt off a lot (and, at one point, gets bi...

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Under The RadarNight Visions 2012: The Bay

Posted on Thursday November 1, 2012, 09:24 by Owen Williams in Under The Radar
Night Visions 2012: The Bay

Helsinki, it seems, doesn't go much for Hallowe'en. They see it as a kind of affected American import like we do in the UK - in fact they're even less convinced by it, since the shops don't appear to be full of tat like ours. I've yet to see a "sexy Edward Scissorhands" costume. Nevertheless, the long established horror and fantasy festival Night Visions kicks off on an appropriate October 31. There's already been some preamble, with guests John Waters and Paul Verhoeven taking to the stage of the Maxim theatre.
Empire arrives in time to bump into Joel Murray - brother of Bill - here representing Bobcat Goldthwait's God Bless America. He tells me that Goldthwait once had a collection of thousands of wind-up toys, lining his guest bedroom, which would autonomously move at any given time during the night. He then apparently replac...

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Under The RadarSan Sebastian Film Festival: First Report

Posted on Tuesday September 25, 2012, 20:04 by Damon Wise in Under The Radar
San Sebastian Film Festival: First Report

The 60th San Sebastian kicked off on Friday with Arbitrage, a surprising choice for opener since it sees the financial crisis through the eyes of Wall Street banker (Richard Gere) who is involved in a fatal car crash while in negotiations to sell his deeply fraudulent company. Austerity measures are big in San Sebastian this year – the whole Basque region is closing down tomorrow as part of a mass regional protest – but the presence of stars Gere and Susan Sarandon perhaps diverted a bit of attention from the film's somewhat kid-gloves treatment of the rich and immoral. Hollywood types are big round here, and even Oliver Stone's tepid Savages – which barely caused a stir in the US and was dismissed almost entirely in the UK – found a good reception here.

Otherwise, San Sebastian remains an excellent catch-up festival (not to mention a great place to get a steal on the upcoming London Film Festival). Such films included...

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Under The RadarTIFF 2012: The Impossible and Song For Marion

Posted on Saturday September 15, 2012, 20:24 by Damon Wise in Under The Radar
TIFF 2012: The Impossible and Song For Marion

The Impossible was one of two films that, though well received by the public, were subjected to a number of swipes by some of the more heartless critics. Directed by Juan Antonio Bayona, director of the supernatural thriller The Orphanage, it is a spectacular and very direct film that perhaps succeeds too successfully in what it sets out to do, since there are no genre trimmings, next to no action-based subplots or any nuances to “read” into. For me, it worked perfectly, but others complained that there wasn't much to it. Seeing as it tells the story of a very real family of five whose lives where changed forever by the Thailand tsunami of 2004, I thought that was a tad unfair.

Another criticism was that the film was in some way “Hollywoodised” and an insult to the local people killed in this tragic event, but, personally, I thought it worked having a very ordinary western family as the focus (the original family seem to have ...

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Under The RadarTiFF 2012: Zaytoun, Apres Mai, Underground: The Julian Assange Story, End Of Watch

Posted on Saturday September 15, 2012, 20:10 by Damon Wise in Under The Radar
TiFF 2012: Zaytoun, Apres Mai, Underground: The Julian Assange Story, End Of Watch

Zaytoun (pictured) is a somewhat leftfield next movie for the people behind The King's Speech. One would assume it might be something slightly bigger and starrier, maybe even more American – in short, something like Extremely Loud And Incredibly Close. Instead, they have given us Zaytoun – from the Arabic word for olive – which couldn't be more different. Although it also comes from a very worthy place, Eran Riklis's film goes to the opposite side of the world for this sweet, subtle road movie. Like The King's Speech, it is the story of a very unlikely friendship, this one much explicitly crossing the tracks, so to speak, since the gulf here is so much more than social.

My one quarrel with Zaytoun is that, for once, it requires the viewer to do a lot of catching up from the outset. Thankfully there is no voiceover, and neither should there be, but it takes a little while to get a handle on the history of the film's setting. We begin...

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Under The RadarTIFF 2012: Genre round-up

Posted on Saturday September 15, 2012, 14:00 by Damon Wise in Under The Radar
TIFF 2012: Genre round-up

A quick word on the genre titles. TIFF's Midnight Madness strand at the Ryerson theatre – which is a bit of a hike to get back from when it's raining, but worthwhile for the atmosphere – is where Martin McDonagh's Seven Psychopaths premiered and went down a storm. Sadly, some of the other films I saw in this selection didn't really come close. The ultraviolent No One Lives played out like one of the subplots in McDonagh's meta comedy, since it involves serial killers being chased by a serial-killer killer. It reminded me a bit of the Butcher Brothers' FrightFest entry The Thompsons (sequel to The Hamiltons), since it involved a band of outlaws who meet their match, and it was certainly splashy enough to please that film's demographic. The self-consciously “sassy” dialogue drove me a bit nuts however, as it did in the 3D drunken-exorcists horror-comedy Hellbenders, which had a great idea – a kind of defrocked-priest...

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Under The RadarTIFF 2012: Silver Linings Playbook, The Perks Of Being A Wallflower, Cloud Atlas, The Place Beyond The Pines

Posted on Thursday September 13, 2012, 15:39 by Damon Wise in Under The Radar
TIFF 2012: Silver Linings Playbook, The Perks Of Being A Wallflower, Cloud Atlas, The Place Beyond The Pines

Excuse the delay, TIFF is an incredibly overwhelming film festival, where so much clashes, it's much harder than it is at the big European festivals to create any kind of meaningful schedule. This means that I saw Silver Linings Playbook at a private screening before most of the US critics, who immediately cleared a space for it on the 2012 awards table. I have to say, it mystified me, and I have no idea what the film's chances are in the UK, since the title is a riff on a very well-known American football term (I kept waiting for an explanation but none came). It's also, like many of the indies on offer here, somewhat rooted in the American culture of self-medication, with characters that owe more to Benny and Joon – not to mention Romy and Michelle – than Harry and Sally.

Bradley Cooper stars as Pat Solitano, a former teacher who is released from a mental institute, into the care of his parents, after spending eight months there for the savage beating o...

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Under The RadarTIFF 2012: Jason Reitman's Live Reading Of American Beauty

Posted on Monday September 10, 2012, 16:07 by Damon Wise in Under The Radar
TIFF 2012: Jason Reitman's Live Reading Of American Beauty

Owen Nicholls reports...

After the triumph of Looper and Argo, the first day of the Toronto International Film Festival 2012 finished with a film launched by the Canadian fest nearly a decade and a half ago; American Beauty. Rather than a 3D Conversion in which the plastic bag looks real enough to touch, or another example of a “too soon” Hollywood reboot, this evening's entertainment was the latest “Live Reading” arranged by Jason Reitman. No rehearsals, no cameras, music only used as a header and footer, the night is about the actors, Alan Ball's words and how one of the first steps in the artistic operation works.

Once it was announced that American Beauty would be the chosen, film speculation immediately began as to who would play the lead. The first to jump to my mind was Steve Buscemi, simultaneously capable of playing put upon and being different enough from Spacey to not feel like a carbon copy, which is never the ...

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