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Off The WireDavid Brown 1916-2010: A Tribute

Posted on Thursday February 4, 2010, 10:41 by Ian Freer in Off The Wire
David Brown 1916-2010: A Tribute

As a huge Spielberg-phile in general and Jaws-freak in particular, I was deeply saddened to hear about the passing of producer David Brown aged 93 this week.

It seems to me that Brown was a dying breed of gentleman producer. As Ron Howard, who worked with Brown on Cocoon, put it Brown was "less the wheeler-dealer than the great judge of content. He knows that story drives everything. He loves writing, and he know what ideas will translate and what won't." Which didn’t mean that Brown wasn’t above the odd gimmick or two. Spielberg had made up some Jaws T-shirts at the start of production. When the director turned up for a meeting with Brown and producing partner Richard Zanuck with every intention to quit, the pair were sporting the Spielberg-sponsored Jaws T-shirts, guilt-tripping the director into returning to work.

Having the nous and foresight to give Spielberg his feature film directing break The Sugarland Express, Brown supported Spielberg...

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Empire StatesThe Avatar Soundtrack: Our First Reaction

Posted on Monday November 23, 2009, 10:41 by Ian Freer in Empire States

The Avatar Soundtrack: Our First Reaction

Deep in the bowels of 20th Century Fox, we got a chance to listen to the most anticipated score of 2009: James Horner’s music for James Cameron’s Avatar.

As you would imagine — and even on the tiny speakers we heard them on — the music is huge in scope and heart. Mirroring the film’s dynamic of technology vs. the spiritual, the music splits between synthesised and acoustic instruments, the entire orchestra getting a thorough workout: everything from South American instrumentation to solo violin, choral chanting to driving percussion gets a chance to shine.

Reteaming with Cameron for the third time after Aliens and Titanic, Horner’s score flits between shimmering enchantment (the seven-minute Pure Spirits Of The Forest; The Bioluminiscence Of The Night), rousing battle hymns (Climbing Up Ikinmaya; Gathering All The Na’vi Clans For Battle) and complex, brutal action music (The Destruction Of “Hometree”; Wa...

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Empire StatesMike Leigh: For Or Against?

Posted on Thursday August 27, 2009, 13:24 by Ian Freer in Empire States

Mike Leigh: For Or Against?

In case you hadn’t noticed, Mike Leigh has started improvising his new film in London. While I would like to see Mike Leigh’s Avatar (in which Leigh recreates sitting in a living room with more dimensions than actually sitting in your living room)or Mike Leigh’s Twilight (Timothy Spall IS Edward Cullen), the idea that he’s back with the likes of Jim Broadbent, Imelda Staunton and Phil Davis exploring life’s petty triumphs and clanging ironies is cause for celebration round my way.

But it wasn’t always the case. I have been resistant to Leigh’s work for many years. For a start I thought it was rooted in the televisual rather than the cinematic, a visual style that seemed to reduce life to the dimensions of a small box in the corner of the room. It might have had admirable depth but where was the width. French filmmakers have made all sorts of domestic scaled dramas but managed to ...

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Off The WireBudd Schulberg 1914-2009

Posted on Thursday August 6, 2009, 12:02 by Ian Freer in Off The Wire

Budd Schulberg 1914-2009

The sad news of Budd Schulberg’s passing (click here for the obit) marks the end of of an era for a certain kind of Hollywood screenwriter. Schulberg’s debut novel What Makes Sammy Run?, a scathing attack on Hollywood, provoked so much ire that Louis B. Mayer suggested that Schulberg be deported (ironic given that Schulberg was actually from Hollywood, a film industry rarity) and saw John Wayne challenge Schulberg to a fist fight, the actor getting the writer into a headlock . In a supremely colourful life, Schulberg sparred with Muhammad Ali, nearly came to blows with Ernest Hemingway and accompanied Robert Kennedy to the kitchen at the Ambassador Hotel on the night of his assassination. You can imagine any of this happening to any of today’s screenwriters, drafting yet another Fast And Furious sequel on a MacBook sipping on frappuccino.
...

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Empire StatesMy First Movie Crush

Posted on Tuesday July 28, 2009, 14:39 by Ian Freer in Empire States

My First Movie Crush

Listening to the piercing screams of 6,000 salivating, slobbering Twihards as Robert Pattinson (or R Patz) bowled onto the stage at this year’s Comic Con coverage provoked a couple of reactions in me.

Firstly, I found it heartening that such a committed dedicated fanbase still exists. It is easy to dismiss the Twilight fanbase as squealing overwrought girls who have graduated from the front row of the Jonas Brothers to the front row of Hall H but from the camping out over night to the fan fic to the homemade costumes it is a fan base bursting with creativity, passion and an interest in fantasy flicks (over say American Idol) that could well spill over into other areas. And surely that is to be applauded?

But more pertinently it reminded me of a time when I first started fancying people on the big screen. The title of this blog is My First Movie Crush but, if I am being honest, the first people who infiltr...

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Empire StatesHappy 10th Birthday Episode I

Posted on Tuesday May 19, 2009, 17:08 by Ian Freer in Empire States

Happy 10th Birthday Episode I

It might have escaped your attention but Star Wars Episode I The Phantom Menace opened ten years ago to the day in the US (for some inexplicable reason Blighty didn’t get the film for another two months). It seems to me that What Went Wrong With Episode One arguments is an energy that binds a generation together. Put a group of twentysomething/thirtysomethings who have never met and you can bet your bottom dollar that they can find common ground about Darth Maul’s majesty/Jar Jar Binks’ crapness. Nothing stirs up debate like Episode I

I’ll tell you where I am on the debate. I am a Prequel Apologist. I would even go as far as to say that I would rather watch Episode I than any LOTR film. Are the Lord Of The Rings films “better movies” than the prequels — of course they are. But I don’t love Tolkien’s universe half as much as I do Lucas’ lands, so I would much rather race through the Boonta Eve classic or watch Maul pace arou...

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Empire StatesWhat's The Greatest Ever Movie Title?

Posted on Tuesday February 3, 2009, 15:04 by Ian Freer in Empire States

What's The Greatest Ever Movie Title?

Coming in to Empire towers this morning, I saw an advert for Hotel For Dogs on the side of a bus. If you don’t know, Hotel For Dogs stars Julia Roberts' Niece in a movie where she sets up 5-star accommodation for the neighbourhood waifs and strays. Whatever you think of the premise of the movie, it just stuck me that Hotel For Dogs as a title is a genius piece of marketing: cute, intriguing and straightforward. If you’re an eight year old girl, Hotel For Dogs (bet the rotweiller nicks the hand towels) sounds like the best film ever made. You immediately know everything you need to know about that movie from those three little words.

So this got me thinking about the greatest movie titles of all time. Some great movies have awkward titles — in 1977, Close Encounters Of The Third Kind must have been a right mouthful , the quality of the movie legitmising it as a phrase. Similarly, great titles have adorned terrible movies: Dude Where’s My Car or Snakes On A Plane are ...

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Empire StatesThe Best Movie Swearing

Posted on Thursday January 8, 2009, 10:10 by Ian Freer in Empire States

The Best Movie Swearing

Swearing. From as soon as you can say the word “bum”, you hear these immortal seven words: It’s not big and it’s not clever. Maybe not, but movie swearing is undeniably entertaining and in the hands of a Mamet/Tarantino/Lee can be both big and clever. There is little to beat a well-chosen expletive to make a dramatic point or underline a character’s emotion or - if it is children, old ladies or Hugh Grant doing the swearing - get a laugh. If you want proof check out these watered down versions of classic curse-filled lines and just feel the difference.

The opening narration of Apocalypse Now as Captain Willard considers his fate: “Saigon….blast….I’m still only in Saigon.”

The beginning of Four Weddings And A Funeral when a frantic Charles realises he’s over slept before wedding no. 1: “Flip… F...

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Empire StatesMy Favourite Christmas Movie: Uncle Buck

Posted on Wednesday December 17, 2008, 10:42 by Ian Freer in Empire States

My Favourite Christmas Movie: Uncle Buck

The best thing about Christmas isn’t the presents. It isn’t the week off work. It isn’t even the time you spend with loved ones.

Nope, the absolute best thing about Yuletide is the movies on television. But I’m not talking about the BBC premieres of the big blockbusters that this year — as the snappily edited montage tells us — include a Pirates sequel, a Narnia flick, Wallace And Gromitt and Singer’s Superman revamp. I’m talking about the films that clog up the schedules in the afternoon, the sandwich filling between the Find A Bargain In Your Attic And See What It’s Worth At Auction programmes and The Highlights Of Bill Oddie’s Year In Nature programmes.

But I’m not even talking about recognised Christmas classics like The Wizard Of Oz or The Great Escape (what says Christmas more than the Nazis building an escape-proof prison camp?). The movies I love to watch on telly over Christmas are mid-range ‘80s to &lsq...

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Empire StatesWhy Adam West Is A Better Batman Than Christian Bale

Posted on Thursday December 4, 2008, 16:32 by Ian Freer in Empire States

Why Adam West Is A Better Batman Than Christian Bale

As you may have seen by now, Empire has (perhaps not unsurprisingly) voted The Dark Knight our best film of 2008. In case you wondered what skulduggery is involved in coming to this conclusion, every member of the Empire team submits their Top Ten of the year. If you put the film at No.1 it receives ten points; if you put the film at No.2, it earns 9 points and so on and so forth. The points are then added up and the movie with the highest points tally wins. Not that you’ll care, but I didn’t put The Dark Knight at No.1. I put There Will Be Blood. Milkshakes over masks any day.

But all the office talk of The Dark Knight got me thinking about the character of Batman. And it seems to me that — and I am fully prepared to admit this might be madness — Adam West, the legend of the ‘60s TV version, is a better Batman than Christian Bale. Firstly, he doesn’t talk in that ridiculous gravel pit voice (although West does have his own distinctive voice patterns). But, more i...

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