Register  |   Log In  |  
Sign up to our weekly newsletter    
Search   
Empire Magazine and iPad
Follow Me on Pinterest YouTube Tumblr
Empire
Trending On Empire
The Future Of Film
The 100 Greatest Video Games
Robin Williams: The Big Interview
Kevin Feige:
My Movie Life

The Marvel supremo's pick of the flicks
Want To Be An Empire Journalist?
Find out how here
Empire Blogs

Small ScreenSherlock Series 3, Episode 3: ‘His Last Vow’ - Initial Spoiler-Filled Reaction

Posted on Monday January 13, 2014, 14:48 by Ali Plumb in Small Screen
Sherlock Series 3, Episode 3: ‘His Last Vow’ - Initial Spoiler-Filled Reaction

Bold, budget-busting and a bit bonkers, ‘His Last Vow’ felt like a real series finale: guns, girls, girls with guns, guys with guns, gadgets (but not really), helicopters, sleeping potions, twists, twists-upon-twists, face-flicking, face-licking, resurrections, references and revenge. It delivered the goods, and (figuratively speaking) had them sent in a private jet. How often do you see something this grand, this impressive, this BIG on British TV?

If you like feeling wrong-footed, this was the episode for you – I honestly can’t count the number of “…the hell?” moments I enjoyed. For those not familiar with the original Conan Doyle story of ‘The Man With The Twisted Lip’, seeing Sherlock choose life in a drugs den would have been one of them, but if you have read that short story, it’s a very similar set-up: one of Watson’s neighbours can’t find her husband, says he’s probably in a cloud of opium, and when...

Continue reading...

Comment Now (7 comments)




Back To Top

Small ScreenSherlock Series 3, Episode 2: ‘The Sign Of Three’ - Initial Spoiler-Filled Reaction

Posted on Monday January 6, 2014, 17:08 by Ali Plumb in Small Screen
Sherlock Series 3, Episode 2: ‘The Sign Of Three’ - Initial Spoiler-Filled Reaction

Like any good best man’s speech, The Sign Of Three is fun, loveable, messy, slow to start, booze-fuelled, sometimes funny, sometimes not funny, sometimes only funny if you were there (or read the book), full of incoherent anecdotes, but ultimately kinda satisfying and brings a tear to the eye (if you’re susceptible to squishy-cuddle stuff).

I enjoyed it, but the whole episode felt a little too busy. Where ‘The Empty Hearse’ danced a merry waltz on the line between smugness and self-confident silliness, its follow-up drunkenly hopscotches around the line before collapsing on the floor, smiling happily and bleeding from the belly.

You’ll accuse me of sniping here – and you should, because that’s what I’m doing – but I have a list of things that just didn’t work for me, starting with the opening ‘gag’. For the most part, I like Rupert Graves as DI Greg Lestrade, but his bank heist / desperate text skit was weak. ...

Continue reading...

Comment Now (15 comments)




Back To Top

Words From The WiseShane Carruth Interview: Upstream Color

Posted on Sunday January 5, 2014, 17:27 by Damon Wise in Words From The Wise
Shane Carruth Interview: Upstream Color

Shane Carruth's Upstream Color, his second feature film after 2004's delirious time-travel drama Primer, debuted almost a year ago at the Sundance Film Festival, where its sold-out screening at the Eccles Theatre was one of the event's hottest tickets. The film baffled and impressed in equal measure, telling the story of Kris (Amy Seimetz) and Jeff (Carruth), whose lives are intertwined by strange external forces, including a pig farmer-slash-record producer, a family of orchid gatherers and a conman who uses insects and plant residue to steal money from his victims.

My attempts to sit down with Shane in Park City came to nothing; meetings were arranged and cancelled on account of both our busy schedules, so I followed him on to the Berlin Film Festival. Yet again, Shane was hard to pin down, this time because he was handling all the elements of his film's springtime roadshow release in the US while finalising the packaging for the film's Region One ...

Continue reading...

Comment Now




Back To Top

Small ScreenSherlock Series 3, Episode 1: 'The Empty Hearse' - Initial Spoiler-Filled Reaction

Posted on Wednesday January 1, 2014, 20:59 by Ali Plumb in Small Screen
Sherlock Series 3, Episode 1: 'The Empty Hearse' - Initial Spoiler-Filled Reaction

Sound the spoiler alarm! If you haven't watched this episode, go away. Still with us? Good stuff. Yes, Martin Freeman’s other half, Amanda Abbington, plays the role of Watson’s bride-to-be, Mary Morstan. And yes, Benedict Cumberbatch’s parents, Timothy Carlton and Wanda Ventham, play Sherlock’s parents. Glad that’s out of the way.

I was lucky enough to watch a preview screening of The Empty Hearse at the BFI, which was followed by a Q&A with the stars (Freeman, Cumberbatch), the writer/co-creators (Steven Moffat, Mark Gatiss), the director (Jeremy Lovering) and producer (Sue Vertue). With hundreds of fellow die-hard Holmes boys – okay, mainly Holmes girls – in attendance, there was A LOT of applause and even more laughter throughout the episode, so perhaps my appreciation for this first slice of the third season is a little higher than it might have been otherwise, but ...

Continue reading...

Comment Now (5 comments)




Back To Top

Words From The WiseLars Von Trier's Nymphomaniac: First Look

Posted on Tuesday December 17, 2013, 12:33 by Damon Wise in Words From The Wise
Lars Von Trier's Nymphomaniac: First Look

Lars Von Trier's Nymphomaniac arrives with a very different kind of controversy to the one we expected. It is indeed sexually explicit, as advertised, but is it the whole movie? The answer is yes and no, since the version screened to Empire in Copenhagen at the beginning of December began with a disclaimer noting that the film has been edited – with Von Trier's permission but without his involvement. So while it is the genuine, official release version, there is the small matter of a further 90 minutes, which will very much be the elephant in the room when it comes to reviewing it.

Funnily enough, though, Nymphomaniac not only feels like a complete film, it doesn't feel madly long in its four-hour format, which breaks down roughly into 1hr 50 for Volume One and 2hrs 10 for Volume Two. First things first, however: this is not an entry-level Von Trier film, and it helps to have a certain familiarity with his style...

Continue reading...

Comment Now




Back To Top

Words From The WiseThe European Film Awards 2013

Posted on Monday December 9, 2013, 15:21 by Damon Wise in Words From The Wise
The European Film Awards 2013

The European Film Awards kicked off on Saturday with a goodie bag that included chocolate biscuits, some gummy bears, a CD DJ mix sponsored by sparkling vodka and an umbrella with a torch on the end. In its marvellous chaos, it reflects something of the randomness of the evening itself; unlike the Oscars, there isn't really any campaigning network, so lesser known films such as Belgium's The Broken Circle Breakdown stood a very real chance of challenging such established Cannes hits as The Great Beauty and Blue Is The Warmest Colour, competing under its original French (and much more explanatory) title La Vie D'Adele, Chapitres 1 & 2.

All eyes were on Abdellatif Kechiche's Palme D'Or winner to take the main prize, which instead went to Paulo Sorrentino for The Great Beauty, a win accompanied by major prizes for Sorrentino as director and his regular leading man Toni Servillo. Industry gossip suggested that Kechiche's film was a late entry to th...

Continue reading...

Comment Now




Back To Top

Words From The WiseMetro Manila Charity Screenings

Posted on Thursday November 28, 2013, 15:34 by Damon Wise in Words From The Wise
Metro Manila Charity Screenings

One of the best indie films to appear on the festival circuit this year was Sean Ellis’s Metro Manila, a fantastic world cinema/heist-thriller crossover that debuted at Sundance in January. Filmed entirely on location in the Philippines (you can read about the shoot here), the film tells the story of a farmer who moves to the capital to work as an armoured car driver, where he becomes involved in a criminal plot. Made by a Brit, the film stars an all-local cast and is filmed entirely in the Tagalog dialect – all the more impressive given that Ellis doesn't speak a word of it. To give you an idea of how good this movie is, Metro Manila won the World Cinema audience award in Sundance, went on to be nominated as the British entry for 2013 Best Foreign Film Osc...

Continue reading...

Comment Now




Back To Top

Under The RadarNight Visions 2013: The Strange Colour of Your Body's Tears, We Are What We Are, Big Bad Wolves

Posted on Saturday November 9, 2013, 18:40 by Owen Williams in Under The Radar
Night Visions 2013: The Strange Colour of Your Body's Tears, We Are What We Are, Big Bad Wolves

My favourite film of the festival was The Strange Colour of Your Body's Tears, the second "arthouse giallo" (after 2009's Amer) from the writing/directing partnership of Hélène Cattet and Bruno Forzani. When I left the screening I felt almost battered by it, but its been in my head ever since. A heady and surreal experience, it's a difficult film to describe, but on its most basic level involves the nightmarish psychological journey of a man (Klaus Tange) searching for his wife, who has disappeared from their Parisian apartment, which was locked from the inside. If that sounds like any sort of conventional locked room mystery, I'm not doing it justice.

The structure for a while has flashbacks to the stories of more disappearances in the same opulently decayed building running alongside Tange's current investigations. So we get the woman upstairs, dressed in black lace, sitting in deep shadow, her face always obscured, relating how her husban...

Continue reading...

Comment Now




Back To Top

Under The RadarNight Visions 2013: Jodorowsky's Dune, Nightsatan & The Loops Of Doom

Posted on Friday November 8, 2013, 16:14 by Owen Williams in Under The Radar
Night Visions 2013: Jodorowsky's Dune, Nightsatan & The Loops Of Doom

Winner of the audience award at this year's Night Visions was Frank Pavich's documentary Jodorowsky's Dune (Filth came second and The World's End placed third - take that, Gravity). This was the film I was most looking forward to seeing at the festival, having heard so much great stuff coming out of Cannes, Telluride, TIFF, Sitges, Fantastic Fest and wherever else. In many ways it doesn't disappoint, but it's also not the kind-of transcendent experience I'd hoped it would be. Despite the story's starting to sound overfamiliar, it's a fascinating and comprehensive glimpse of the film that might have been, with the engaging presence of Alejandro Jodorowsky himself front and centre. So on its own terms as a celebration of the greatest film that never was, it's a complete success. But it lacks any sense of balance, any dissenting voices, and any sense that its principal narrator might be at all unreliable. As such it comes across as over...

Continue reading...

Comment Now




Back To Top

Empire StatesScreen To Stage: From Here To Eternity

Posted on Thursday November 7, 2013, 09:24 by Helen O'Hara in Empire States
Screen To Stage: From Here To Eternity

From Here To Eternity is not the easiest sell in the world, as musicals go. After all, Charlie And The Chocolate Factory: The Musical seems like a natural fit for the stage, with all the bright colours and general insanity. But a World War II movie about GIs butting heads before the war is even joined, falling for married women or prostitutes and getting thrown in the stockade? It's a little harder to see immediately where you fit in the high kicks and the sequins. What's more, we're talking about a story by the famously somber author James Jones, also responsible for The Thin Red Line, who was there in Hawaii during the attack on Pearl Harbor and who then fought his way across the Pacific. To make light of that legacy would be to lose your audience before you even begin. Luckily, the show treats its characters with respect, and turns out better than we had any right to expect.

The thing to remember is that Les Miserables isn't exactly an obvious source for a musical either, and the dying...

Continue reading...

Comment Now (1 comment)




Back To Top

Earlier Posts Later Posts

CATEGORIES

Empire States (440)

Under The Radar (317)

Infinite Lives (92)

Small Screen (57)

Words From The Wise (35)

Cannes 2011 (28)

Off The Wire (24)

Comic-Con 2010 (21)

Casting Couch (2)

Oscars 2011 (1)


RECENT POSTS

Screen To Stage: The Hobbit Stars
By Helen O'Hara

Screen To Stage: Shakespeare In Love
By Helen O'Hara

9¾ Things We Learnt At Universal Studios Florida's Diagon Alley
By Ali Plumb

Pete Docter And Jonas Rivera Talk Pixar's Inside Out
By James White

Miss Game Of Thrones Already? Here's The Solution…
By Dan Jolin

4K Or Not 4K?: First Look At Sharp's '2.5K' Quattron Pro Technology
By James Dyer

Cannes Film Festival 2014: Awards Wrap
By Damon Wise

H. R. Giger: An Empire Tribute
By Ian Nathan

How Edible Cinema Finally Allows You To Eat A Movie
By Ali Plumb

Sundance London: An Introduction To The 2014 Edition
By Damon Wise


RECENT COMMENTS

Screen To Stage: Shakespeare In Love
"Have just re-watched this twice over the past few weeks and forgot how fantastic it was. I'm now des"  fire_and_water5025
Read comment

9¾ Things We Learnt At Universal Studios Florida's Diagon Alley
"This looks unbelievably good... wish I could afford to go!"  Roo
Read comment

Miss Game Of Thrones Already? Here's The Solution…
"Nice to know Martin enlisted another author to help in his world-building. Time to get acquainted wi"  Imperion
Read comment

9¾ Things We Learnt At Universal Studios Florida's Diagon Alley
"@Y2Nield.com The original Hogwarts section and what was duelling dragons (has now"  Sexual Harassment Panda
Read comment

4K Or Not 4K?: First Look At Sharp's '2.5K' Quattron Pro Technology
"It doesn't matter if there are 50 billion pixels. The human eye cans perceive anything smaller than "  rubenjames
Read comment

Night Visions 2013: Adjust Your Tracking (or Does Anyone Actually Miss VHS?)
"Or don't..."  Owen Williams
Read comment

4K Or Not 4K?: First Look At Sharp's '2.5K' Quattron Pro Technology
"4K TVs are actually not that expensive anymore and the 'Quattron' costs 2.300€ (60inches).<"  DrGreenSkunk
Read comment

Miss Game Of Thrones Already? Here's The Solution…
"Actually i recomend The Foucault Pendulum for several reasons, in the first place it explores the es"  andresfelipeurb
Read comment

4K Or Not 4K?: First Look At Sharp's '2.5K' Quattron Pro Technology
"So this is basically the "HD-ready" version of 4K."  grucl
Read comment

9¾ Things We Learnt At Universal Studios Florida's Diagon Alley
"A great sneak peek, Ali. Aside from your confusion as to where Diagon Alley/King's Cross and Hogsmea"  bruciebonus
Read comment


POPULAR POSTS

Movies’ Most Quotable Lines
566 comments

'It's Just A Bit Of Fun': Why Defensive Fans Are Bad News For Movies
361 comments

Competitive Geek Baiting: Or, How To Start A Fanboy Fight
338 comments

What's The Best TV Show Ever?
307 comments

The Avatar Backlash: Evaluatin' The Hater-atin'
303 comments

The Complete List Of Tired Movie Cliches
286 comments

Your Favourite Animated Film
217 comments

Note To Hollywood: How To Get People To Switch To Blu-Ray
192 comments

You Wouldn't Steal A Car...
140 comments

Food For Thought
132 comments


BLOGGERS
Damon Wise (297)
Helen O'Hara (168)
James Dyer (86)
Amar Vijay (71)
Ali Plumb (56)
James White (29)
Phil de Semlyen (19)
Owen Williams (15)
Ally Wybrew (2)
Ben Kirby (1)
Ian Nathan (1)
Dan Jolin (1)
David Parkinson (1)

SPECIAL FEATURE
The 301 Greatest Movies Of All Time EMPIRE READERS' POLL: THE 301 GREATEST MOVIES OF ALL TIME
You turned out in your hundreds and thousands, and here are the results... Browse the full list


CURRENT HIGHLIGHTS
The Making Of The Lost Pilot: An Oral History
The cast and crew look back at the epic season opener…

Empire's Gone Girl Review
Our official verdict on David Fincher's adaptation of the best-selling novel

The Future Of Film: The Streaming Services Will Be Major Studios
(Or how Hollywood will have to start worrying about Netflix)

The Empire Podcast #129: Liam Neeson Interview
Plus Max Irons, Sam Claflin, Douglas Booth, Holliday Grainger and Jessica Brown Findlay drop by to talk The Riot Club

The Future Of Film: We'll Be Watching Films In Virtual Reality
Immerse cinema aims to become the must-have experience for the filmgoers of the future

The Future Of Film: Cinema Will Cross The Uncanny Valley
The future of VFX, from believable digital humans to underwater mocap

The Future Of Film: There Will Be Another Indie Golden Age
Independent producers are growing from micro-budgets to something a lot bigger

Subscribe to Empire magazine
Get 6 Issues Of Empire For Only £15!

Get exclusive subscriber-only covers each month!

Subscribe today

Subscribe to Empire iPad edition
Get The Empire iPad Edition Today

Subscribe and save maney on annual digital subscription

Subscribe today
Buy single issues

Get 6 issues of Empire for just £15!
Get the world's greatest movie magazine delivered straight to your door! Subscribe today!
Empire's Film Studies 101 Series
Everything you ever wanted to know about filmmaking but were afraid to ask...
The Empire iPad Edition
With exclusive extras, interactive features, trailers and much more! Download now
Home  |  News  |  Blogs  |  Reviews  |  Future Films  |  Features  |  Interviews  |  Images  |  Competitions  |  Forum  |  iPad  |  Podcast  |  Magazine Contact Us  |  Empire FAQ  |  Subscribe To Empire  |  Register
© Bauer Consumer Media Ltd  |  Legal Info  |  Editorial Complaints  |  Privacy Policy  |  Bauer Entertainment Network
Bauer Consumer Media Ltd (company number 01176085 and registered address 1 Lincoln Court, Lincoln Road, Peterborough, England PE1 2RF)